"Der Sieg des Glaubens, Op. 157, Pt. 2: Groß ist Gott" by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max had its release date on March 22, 2013. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Der Sieg des Glaubens, Op. 157, Pt. 2: Groß ist Gott's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Ries: Der Sieg des Glaubens, Op. 157". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. In terms of popularity, Der Sieg des Glaubens, Op. 157, Pt. 2: Groß ist Gott is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Sieg des Glaubens, Op. 157, Pt. 2: Groß ist Gott by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Polonaises, F. 12: No. 8 in E Minor | Wilhelm Friedemann Bach, Daniil Trifonov | E Minor | 0 | 9A | 66 BPM | ||
| Kyllikki - Three Lyrical Pieces for Piano, Op. 41: I. Largamente | Jean Sibelius, Leif Ove Andsnes | E♭ Minor | 1 | 2A | 133 BPM | ||
| Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A♭ Major | 1 | 4B | 102 BPM | ||
| String Quartet in G Minor, Op. 27: IV. Finale. Lento - Presto al saltarello (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| 4 Valses oubliées, S. 215: No. 1, — | Franz Liszt, Anna Leyerer | B Major | 2 | 1B | 85 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft | Robert Schumann, Nikolaus Harnoncourt, Berliner Philharmoniker | B♭ Major | 1 | 6B | 83 BPM | ||
| Suite d'orchestre No. 3, Op. 79: II. Molto moderato | Moritz Moszkowski, Sinfonia Varsovia, Ian Hobson | F Major | 0 | 7B | 93 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM | ||
| Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | A Major | 2 | 11B | 103 BPM | ||
| Piano Concerto in A Minor, Op. 17: II. Romanza: Andante | Ignacy Jan Paderewski, Janina Fialkowska, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 111 BPM | ||
| Piano Concerto in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A Minor | 1 | 8A | 112 BPM | ||
| Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio. Molto sostenuto | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 76 BPM | ||
| Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | F Minor | 1 | 4A | 103 BPM | ||
| Ries: La capricciosa | Ferdinand Ries, Vilde Frang | E Major | 2 | 12B | 113 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. D'Indy for Cello and Orchestra: II. Allegro | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 4 | 7B | 115 BPM | ||
| Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: 3. Finale. Presto scherzando | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | A Minor | 1 | 8A | 106 BPM | ||
| Keyboard Sonata No. 81 in G Minor | Antonio Soler, Soo-Jung Ann | G Minor | 1 | 6A | 134 BPM | ||
| Piano Concerto No. 2, Op. 18: III. Allegro scherzando | Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | F Minor | 3 | 4A | 122 BPM | ||
| Auf dem Wasser zu singen, D 774 | Nils Mönkemeyer | A♭ Minor | 1 | 1A | 176 BPM | ||
| Piano Concerto No. 2 in E-Flat Major, Op. 42: II. Larghetto | Ferdinand Ries, Christopher Hinterhuber, New Zealand Symphony Orchestra, Uwe Grodd | B Major | 0 | 1B | 75 BPM | ||
| In einem kühlen Grunde | Traditional, Martin Stadtfeld | C Major | 2 | 8B | 184 BPM | ||
| Der Sieg des Glaubens, Op. 157, Pt. 2: So kehret um, noch ist es Zeit | Ferdinand Ries, Christiane Libor, Wiebke Lehmkuhl, Markus Schäfer, Markus Flaig, Das Kleine Konzert, Hermann Max | D Major | 4 | 10B | 92 BPM | ||
| Liszt: Grandes études de Paganini, S. 141: No. 4 in E Major | Franz Liszt, Mariam Batsashvili | E Major | 3 | 12B | 83 BPM | ||
| Symphony in C Major, VB 139: III. Allegro | Joseph Martin Kraus, Swedish Chamber Orchestra, Petter Sundkvist | C Major | 2 | 8B | 142 BPM |