- BPM
- 113
- Key
- E Major
- Camelot
- 12B
Ries: La capricciosa by Ferdinand Ries, Vilde Frang Song Details
Ferdinand Ries, Vilde Frang's 'Ries: La capricciosa' had a release date set for September 1, 2017. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Ries: La capricciosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vilde Frang's "Homage" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Ries: La capricciosa is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Ries: La capricciosa by Ferdinand Ries, Vilde Frang to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
Music Key
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -18.433 dB
- Acousticness
- 95%
- Danceability
- 46%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 30%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in A Minor, Op. 54: II. Intermezzo: Andantino grazioso | Robert Schumann, London Symphony Orchestra, Maria João Pires, John Eliot Gardiner | A Major | 0 | 11B | 77 BPM | |
 | Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | |
 | Symphony No. 5 in D Minor, Op. 112: III. Scherzo. Allegro assai | Ferdinand Ries, Janne Nisonen, Tapiola Sinfonietta | D Minor | 1 | 7A | 184 BPM | |
 | Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | |
 | Symphony No. 1 in C Minor, Op. 32: I. Andante sostenuto - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | C Minor | 1 | 5A | 133 BPM | |
 | Piano Concerto No. 20 in D Minor, K.466: II. Romanze | Philharmonia Orchestra, Youri Egorov, Wolfgang Sawallisch | B♭ Major | 0 | 6B | 84 BPM | |
 | Suite d'orchestre No. 3, Op. 79: II. Molto moderato | Moritz Moszkowski, Sinfonia Varsovia, Ian Hobson | F Major | 0 | 7B | 93 BPM | |
 | Keyboard Concerto in D Minor, Wq. 23, H. 427: II. Poco andante | Carl Philipp Emanuel Bach, Michael Rische, Leipziger Kammerorchester, Morten Schuldt-Jensen | E♭ Major | 3 | 5B | 82 BPM | |
 | Mein schöner Stern, Op. 101/4 | Nils Mönkemeyer | E♭ Major | 1 | 5B | 123 BPM | |
 | Der Fischer und das Milchmädchen: XII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 91 BPM | |
 | Serenade After Plato's "Symposium": II. Aristophanes. Allegretto | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | D Major | 1 | 10B | 116 BPM | |
 | String Quintet in C, D.956: 2. Adagio | Franz Schubert, Walter Levin, Henry Meyer, Peter Kamnitzer, Lee Fiser, Lynn Harrell | F Major | 0 | 7B | 111 BPM | |
 | Impromptu in A-flat Major, Op. 142, No. 2 (D935); Allegretto | Vladimir Horowitz | A♭ Major | 0 | 4B | 72 BPM | |
 | Character Pieces, MA Ms. 44 (selections): VIII: Allegro moderato, in B Major | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM | |
 | String Quartet in G Minor, Op. 27: III. Intermezzo. Allegro molto marcato - Allegro agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | |
 | Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | |
 | Nocturne No. 15 in D Minor “Song without Words”, H.59 | John Field, Elizabeth Joy Roe | D Minor | 0 | 7A | 94 BPM | |
 | Roland Furieux: II. Andante tranquillo | Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz | E♭ Major | 1 | 5B | 88 BPM | |
 | Piano Quintet in B Minor, Op. 74: II. Larghetto | Ferdinand Ries, Klavierquintett Wien | C Minor | 4 | 5A | 136 BPM | |
 | Trois petites pièces: Clair de Lune | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Minor | 0 | 4A | 81 BPM | |
 | Symphony in C Major, Ben. 128: I. Allegro molto spiritoso | Ignaz Pleyel, Capella Istropolitana, Uwe Grodd | C Major | 1 | 8B | 88 BPM | |
 | Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | |
 | Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | D Minor | 3 | 7A | 97 BPM | |
 | Symphony in D Major, S. 31, "La Chasse": I. Grave - Allegro | Carl Stamitz, Matthias Bamert, London Mozart Players | F Major | 0 | 7B | 78 BPM | |
 | Violin Sonata in A Major, FWV 8: IV. Allegro poco mosso | César Franck, Isabelle Faust, Alexander Melnikov | A Major | 1 | 11B | 83 BPM |
- ISRC
- GBAYC1701106
- Label
- L-M Records/RCA Records