Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir's ' "Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Credo: Credo in unum Deum" was released on its scheduled release date, January 1, 1987. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, The English Concert, Trevor Pinnock, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, The English Concert Choir, Nicholas Parle's "Haydn: Missa in angustiis "Nelson Mass"; Te Deum" album is number 5 out of 14. In terms of popularity, Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Credo: Credo in unum Deum is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Credo: Credo in unum Deum by Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa in D-Dur, KV194: Gloria | Chor und Orchester von St. Augustin, Andreas Pixner, Cornelia Horak, Klemens Sander, Martina Steffl, Alexander Kaimbacher | A Major | 2 | 11B | 90 BPM | ||
| Concerto For Harpsichord, Strings, And Continuo No. 5 In F Minor, BWV 1056: 2. Largo | Johann Sebastian Bach, The English Concert, Trevor Pinnock | G Major | 0 | 9B | 126 BPM | ||
| Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam | C Major | 2 | 8B | 68 BPM | ||
| Oboe Concerto No. 1 in D Minor: III. Allegro | Ludwig August Lebrun, Paul Goodwin, The English Concert, Trevor Pinnock | A Minor | 0 | 8A | 135 BPM | ||
| Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
| L'Orfeo / Act I: "In questo lieto e fortunato giorno" - "Vieni, Imeneo" - "Muse, onor di Parnasso" | Claudio Monteverdi, Mark Tucker, Nancy Argenta, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | C Major | 5 | 8B | 117 BPM | ||
| Messe de requiem: VI. Agnus Dei | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | G Major | 1 | 9B | 74 BPM | ||
| Orfeo ed Euridice: Act II, Scene 1, Coro e Orfeo: Ah! Quale incognito -Men tiranne ah, voi sareste - Ah! Quale incognito | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester, RIAS Kammerchor | C Major | 0 | 8B | 70 BPM | ||
| Schubert: Mass in G Major, D. 167: Kyrie | Franz Schubert, Wolfgang Sawallisch, Bavarian Radio Chorus, Elmar Schloter, Lucia Popp, Sinfonie-Orchester Des Bayerischen Rundfunks | E Minor | 0 | 9A | 124 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act 4: No. 30, Symphony (Arr. for Trumpet) | Henry Purcell, Alison Balsom, Trevor Pinnock, The English Concert | D♭ Major | 1 | 3B | 122 BPM | ||
| Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": V. Sanctus | Michael Haydn, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM | ||
| Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis | Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King | D♭ Minor | 2 | 12A | 65 BPM | ||
| L'incoronazione di Poppea, SV 308 / Prologue: Sinfonia - Prologue - "Deh, nasconditi, o Virtù" ... | Claudio Monteverdi, Anne Sofie von Otter, Catherine Bott, Marinella Pennicchi, English Baroque Soloists, John Eliot Gardiner | G Major | 1 | 9B | 170 BPM | ||
| Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | A Major | 1 | 11B | 137 BPM | ||
| Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 1 | 11B | 141 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: XI. Quoniam tu solus Sanctus | Antonio Vivaldi, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 2 | 8B | 101 BPM | ||
| Missa in D-Dur, KV194: Sanctus | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Andreas Pixner, Martina Steffl, Cornelia Horak, Klemens Sander | D Major | 2 | 10B | 114 BPM | ||
| Misatango, Misa a Buenos Aires: XIII. Benedictus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Major | 2 | 9B | 100 BPM | ||
| Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live | Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | B Minor | 1 | 10A | 167 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
| Mass No. 6 in E flat, D.950: Kyrie | Franz Schubert, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Wolfgang Sawallisch | A Major | 2 | 11B | 145 BPM | ||
| Concerto a Due Cori No. 2, HWV 333: V. Allegro ma non troppo - Adagio | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 109 BPM | ||
| Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM |