Manhar Udhas's ' "Manav Na Thai Shakyo" was released on its scheduled release date, January 29, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Avsar Vol-2 by Manhar Udhas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Manav Na Thai Shakyo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Manav Na Thai Shakyo by Manhar Udhas is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kevo Prabhav | Manhar Udhas | F♯ Minor | 6 | 11A | 84 BPM | ||
| Ame Zindgine | Manhar Udhas | B Minor | 5 | 10A | 140 BPM | ||
| Tumhein Geeton Mein Dhalonga | Jaspal Singh, Kalyani Mitra | A Major | 6 | 11B | 92 BPM | ||
| Taron Men Sajke Apne Suraj Se | Mukesh, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 126 BPM | ||
| Is Jahan Ki Nahi Hai (From "King Uncle") | Lata Mangeshkar, Nitin Mukesh | G Minor | 7 | 6A | 95 BPM | ||
| Meri Yaad Aayee | Altaf Raja | A♭ Minor | 5 | 1A | 141 BPM | ||
| Too Mera Hero Hai | Anuradha Paudwal, Manhar Udhas, Laxmikant–Pyarelal | A Minor | 4 | 8A | 83 BPM | ||
| Mera Karma Tu | Suresh Wadkar, Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | B♭ Minor | 3 | 3A | 172 BPM | ||
| Aaj Phir Tum Pe | Pankaj Udhas, Anuradha Paudwal | B♭ Minor | 6 | 3A | 88 BPM | ||
| Tari Udas Aankh Ma | Manhar Udhas | F♯ Major | 3 | 2B | 130 BPM | ||
| Koi Pardesi Aaya Pardes Mein | Anwar Hussain, R. D. Burman | D Minor | 4 | 7A | 146 BPM | ||
| Pyar Karte Hai Hum | Asha Bhosle, Manhar Udhas | D Major | 4 | 10B | 101 BPM | ||
| Yaad Aa Raha Hai | Bappi Lahiri | E♭ Major | 6 | 5B | 134 BPM | ||
| Deewane Tere Naam Ke | Sukhwinder Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 132 BPM | ||
| Pyar Kiya Nahin Jata - From "Woh 7 Din" | Lata Mangeshkar, Shabbir Kumar | A Minor | 7 | 8A | 81 BPM | ||
| Main Hoon Prem Rogi | Suresh Wadkar, Laxmikant–Pyarelal | E Minor | 8 | 9A | 157 BPM | ||
| Milte Milte Haseen Wadiyon Mein | Anuradha Paudwal, Vipin Sachdeva | A Minor | 6 | 8A | 80 BPM | ||
| Sarjan Hare Ghazab | Manhar Udhas | A Minor | 5 | 8A | 106 BPM | ||
| Salamat Rahe Dostana Hamara (Part I) - From "Dostana" | Mohammed Rafi, Kishore Kumar | A Major | 9 | 11B | 101 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Tu Kal Chala Jayega - Mohdaziz | Mohammed Aziz, Laxmikant–Pyarelal | E♭ Minor | 4 | 2A | 124 BPM | ||
| Ladke Aaj Ke Ladke | Anu Malik, Poornima | A Minor | 9 | 8A | 185 BPM | ||
| Bhole O Bhole - From "Yaarana" | Kishore Kumar | C Minor | 6 | 5A | 106 BPM | ||
| Muzhe Sharabi Bana Diya | Devi | G Major | 6 | 9B | 146 BPM | ||
| Bhula Na Sakoge Mujhe | Agam Kumar Nigam | A Minor | 7 | 8A | 79 BPM |