"Nothing but Make Me" by Fred Frith, Chris Brown had its release date on January 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Cutter Heads by Fred Frith, Chris Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Nothing but Make Me is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Nothing but Make Me by Fred Frith, Chris Brown is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Supieras | HYP PRIV | F Major | 4 | 7B | 110 BPM | ||
| Fault | Fred Frith | F Major | 4 | 7B | 110 BPM | ||
| Where's The Money? | French, Kaiser, Frith, Marko Perković Thompson, John French, Henry Kaiser, Richard Thompson, Fred Frith | G Major | 9 | 9B | 123 BPM | ||
| Disposable Thoughts | French, Frith, Kaiser, Marko Perković Thompson, Henry Kaiser, Fred Frith, Richard Thompson, John French | C Major | 6 | 8B | 166 BPM | ||
| Asmant | Niton | C Major | 7 | 8B | 180 BPM | ||
| Nowhere (For Bob Moses), Pt. 1 | Michael Gibbs | F Minor | 5 | 4A | 200 BPM | ||
| Desert Road | Johanna Borchert, Fred Frith, Shazad Ismaily, Julian Sartorius | B♭ Minor | 3 | 3A | 92 BPM | ||
| Passing On | Duval Timothy, CJ Mirra | F Major | 4 | 7B | 110 BPM | ||
| Danse de Cuisine - Voice | Sally Potter, Fred Frith | A Minor | 1 | 8A | 135 BPM | ||
| Nyems | Meredith Monk, Ellen Fisher, Katie Geissinger, Allison Sniffin, Joanna Lynn-Jacobs | B♭ Minor | 1 | 3A | 73 BPM | ||
| Both Blue Moons | Aaron Dilloway, Lucrecia Dalt | D♭ Major | 6 | 3B | 94 BPM | ||
| Mutter Beimlein | Claus Boesser-Ferrari, Fred Frith, Marc Ribot | F♯ Minor | 2 | 11A | 178 BPM | ||
| Killerman Gold Posse | French, Frith, Marko Perković Thompson, Kaiser, Fred Frith, John French, Richard Thompson, Henry Kaiser | F Minor | 7 | 4A | 104 BPM | ||
| There Is No Answer | Jozef Van Wissem, Jim Jarmusch | D♭ Minor | 3 | 12A | 141 BPM | ||
| Unionen | Unionen | A Minor | 3 | 8A | 123 BPM | ||
| Tone IQ | Matthew Shipp | G Major | 2 | 9B | 96 BPM | ||
| Slow Dance | Pierre Bastien, Michel Banabila | B♭ Minor | 2 | 3A | 146 BPM | ||
| This Word Love | Peter Brötzmann, Heather Leigh | A Minor | 1 | 8A | 65 BPM | ||
| limoktwok | ROADKILL | F Major | 4 | 7B | 110 BPM | ||
| The End Of Days | Ongoing Slaughter | D Major | 0 | 10B | 82 BPM | ||
| Liebesthema II | Claus Boesser-Ferrari, Marc Ribot, Fred Frith | C Major | 1 | 8B | 83 BPM | ||
| Mark Dresser, Ikue Mori, Fred Frith | B♭ Minor | 4 | 3A | 104 BPM | |||
| The Wuz | Laurie Anderson, Marshall Allen, Kronos Quartet | B♭ Major | 8 | 6B | 87 BPM | ||
| Spacewalk 3 | La Burro Freeman Commercials | C Major | 2 | 8B | 89 BPM | ||
| Tista lengter | Joe Harvey-Whyte, Geir Sundstøl, Jo Berger Myhre | F Major | 4 | 7B | 110 BPM |