Tram's ' "Now We Can Get On With Our Own Lives" was released on its scheduled release date, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Frequently Asked Questions by Tram. The popularity of Now We Can Get On With Our Own Lives is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Now We Can Get On With Our Own Lives by Tram is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| calorie (use) | They Are Gutting a Body of Water | G Major | 3 | 9B | 79 BPM | ||
| Insure Me, Procure Me | Flooding | C Minor | 5 | 5A | 120 BPM | ||
| Library on Shuffle | 22º Halo | E Major | 5 | 12B | 75 BPM | ||
| Altitude | Dead Sullivan | A Major | 4 | 11B | 116 BPM | ||
| Save Room | Window Seat | G Major | 6 | 9B | 100 BPM | ||
| Swallowed | Jessica Bailiff | C Major | 4 | 8B | 111 BPM | ||
| 3 Angels | Codeine | C Major | 1 | 8B | 83 BPM | ||
| On Edge | A Country Western | E Major | 5 | 12B | 90 BPM | ||
| Pen and Paper | Gawshock | G Major | 9 | 9B | 125 BPM | ||
| Mechanised | The Pastels | A Minor | 2 | 8A | 112 BPM | ||
| Memdrive | Should | A Major | 6 | 11B | 89 BPM | ||
| Nothing Left to Say | Tram | D Major | 5 | 10B | 112 BPM | ||
| strength is my weakness | Soulwhirlingsomewhere | F♯ Major | 2 | 2B | 116 BPM | ||
| I'll Be in the Air | The Microphones | E Major | 4 | 12B | 131 BPM | ||
| Forlorn Labour | Tram | A Major | 3 | 11B | 142 BPM | ||
| Substance Abuse | Bunkbed | D Major | 3 | 10B | 99 BPM | ||
| battery davis | ee | B Major | 4 | 1B | 128 BPM | ||
| I Can't Lie To You | Tram | C Major | 1 | 8B | 75 BPM | ||
| Slow Drift | Hollowphonic | C Major | 4 | 8B | 81 BPM | ||
| A Good Friend Is Always Around | The American Analog Set | A Major | 3 | 11B | 95 BPM | ||
| Oar | Pot Valiant | D Major | 3 | 10B | 134 BPM | ||
| Key Studies | Good Night & Good Morning | F Minor | 2 | 4A | 110 BPM | ||
| Blue Lotus | Southpacific | A♭ Minor | 5 | 1A | 119 BPM | ||
| Blood Moon Waning | Summer 2000, lobsterfight | F Major | 1 | 7B | 82 BPM | ||
| Would It Be Ok | Unrecovery | B♭ Major | 5 | 6B | 162 BPM |