Manuel de Falla, ジャン=ジャック・カントロフ, Jacques Rouvier's ' "スペイン民謡組曲 VI - ホタ" was released on its scheduled release date, 1990. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. スペイン民謡組曲 VI - ホタ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 死の舞踏 〜ヴァイオリン・ヴィルトゥオーゾ・コスモス, so we believe that "スペイン民謡組曲 VI - ホタ" is a single. The popularity of スペイン民謡組曲 VI - ホタ is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of スペイン民謡組曲 VI - ホタ by Manuel de Falla, ジャン=ジャック・カントロフ, Jacques Rouvier is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. for Piano by Ignaz Friedman) | Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
| Danzas Argentinas, Op. 2: II. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 139 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Suite española No. 1, Op. 47: Cataluña (Corranda) | Isaac Albéniz, Alicia de Larrocha | C Minor | 0 | 5A | 73 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano) | Johann Sebastian Bach, Khatia Buniatishvili | B♭ Major | 0 | 6B | 99 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| Nana | Manuel de Falla, Kim Kashkashian, Robert Levin | A Minor | 0 | 8A | 93 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Ravel: String Quartet, M. 35: IV. Vif et agité | Maurice Ravel, Quatuor Ébène | F Major | 2 | 7B | 80 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
| Suite No. 2 in D Minor BWV 1008.: I. Prélude | Johann Sebastian Bach, Jean-Guihen Queyras | D Major | 0 | 10B | 95 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 13, Der Dichter spricht | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 95 BPM | ||
| String Sextet in B-Flat Major, Op. 18: II. Andante, ma moderato | Johannes Brahms, Leipziger Streichquartett, Hartmut Rohde, Michael Sanderling | C Major | 1 | 8B | 178 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Minor | 1 | 3A | 169 BPM | ||
| Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): II. Adagio molto espressivo | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | A♭ Major | 0 | 4B | 92 BPM | ||
| Cello Concerto No. 2 in D Major, Hob. VIIb: II. Adagio | Joseph Haydn, Alisa Weilerstein, TrondheimSolistene | G Major | 0 | 9B | 70 BPM | ||
| Sonata in A (1989 - Remaster): I. Allegretto ben moderato | César Franck, Jacqueline du Pré | A Major | 1 | 11B | 82 BPM |