Take That's 'How Did It Come To This - Abbey Road Version' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. How Did It Come To This - Abbey Road Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Greatest Day. Take That Present The Circus Live". In this album, this song's track order is #2. Based on our statistics, How Did It Come To This - Abbey Road Version's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With How Did It Come To This - Abbey Road Version by Take That having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't No Sense In Love | Take That | B♭ Major | 9 | 6B | 80 BPM | ||
| Psycho Girl | Busted | A Major | 7 | 11B | 158 BPM | ||
| Luxury | Matt Willis | C Major | 9 | 8B | 128 BPM | ||
| Talk | Boyzone | B Minor | 9 | 10A | 136 BPM | ||
| Meeting Mr Miandad | The Duckworth Lewis Method | D Major | 6 | 10B | 162 BPM | ||
| What I Go To School For - Live | Busted | A Major | 10 | 11B | 107 BPM | ||
| Your Girlfriend - Live From The Plaza Theatre, Stockport | Blossoms | D Major | 9 | 10B | 123 BPM | ||
| Postcards from a Young Man | Manic Street Preachers | F Major | 8 | 7B | 130 BPM | ||
| Nearly Once | Paul Heaton, Jacqui Abbott | E Major | 9 | 12B | 112 BPM | ||
| A Few Differences | Athlete | E Major | 6 | 12B | 172 BPM | ||
| Long Life | Dodgy | A Major | 6 | 11B | 75 BPM | ||
| $igns | Danny Jones | F♯ Minor | 8 | 11A | 127 BPM | ||
| Portrait | Take That | G Major | 7 | 9B | 138 BPM | ||
| Magic Carpet Days | Ocean Colour Scene | A Major | 9 | 11B | 130 BPM | ||
| What Have We Become | Paul Heaton, Jacqui Abbott | A Major | 8 | 11B | 112 BPM | ||
| Tongue | able kelebu | A Major | 5 | 11B | 100 BPM | ||
| Crazy Lowdown Ways | Ocean Colour Scene | E Minor | 6 | 9A | 127 BPM | ||
| All Your Attention | Daniel Bedingfield | G Minor | 8 | 6A | 140 BPM | ||
| Before You Knew Me | McBusted | E Major | 9 | 12B | 150 BPM | ||
| Same Old Stuff | The Feeling | G Major | 7 | 9B | 89 BPM | ||
| Builder of Routines | Manic Street Preachers | C Minor | 6 | 5A | 116 BPM | ||
| Getting Up With You | The Yeah You's | C Major | 10 | 8B | 176 BPM | ||
| God | Gary Barlow | C Major | 7 | 8B | 135 BPM | ||
| What Happened To Your Band | McBusted | E Major | 9 | 12B | 122 BPM | ||
| Let Me Go | Gary Barlow | D Major | 9 | 10B | 130 BPM |