What Have We Become
Paul Heaton, Jacqui Abbott
What Have We Become
4:30 January 1, 2014
BPM
112
Key
A Major
Camelot
11B

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What Have We Become by Paul Heaton, Jacqui Abbott Song Details

Paul Heaton, Jacqui Abbott's ' "What Have We Become" was released on its scheduled release date, January 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of What Have We Become by Paul Heaton, Jacqui Abbott. The song's track number on the album is #5 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, What Have We Become is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

Since What Have We Become by Paul Heaton, Jacqui Abbott has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With What Have We Become being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.154 dB
Acousticness
13%
Danceability
51%
Energy
76%
Instrumentalness
0%
Liveness
3%
Loudness
91%
Speechiness
3%
Valence
55%

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ISRC
GBUM71400557
Label
L-M Records/RCA Records