- BPM
- 89
- Key
- F♯ Major
- Camelot
- 2B
Schütz: Feritevi, ferite by Charivari Agréable Song Details
Charivari Agréable's 'Schütz: Feritevi, ferite' had a release date set for 2003. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Schütz: Feritevi, ferite's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charivari Agréable's "Modus Phantasticus" album is number 3 out of 20. Schütz: Feritevi, ferite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Schütz: Feritevi, ferite by Charivari Agréable to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -20.613 dB
- Acousticness
- 96%
- Danceability
- 17%
- Energy
- 14%
- Instrumentalness
- 3%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 34%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | |
 | Concerto for Four Violins: I. Allegro | Johann Christoph Pepusch, Charivari Agréable, Kah-Ming Ng | E♭ Minor | 2 | 2A | 120 BPM | |
 | Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM | |
 | Suite in G Minor, BWV 1070: I. Ouverture - Larghetto | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 1 | 11A | 127 BPM | |
 | Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | |
 | Sonata for Violin & Continuo in E Minor: II. Moderato | Johann Georg Pisendel, La Serenissima, Adrian Chandler | E Minor | 2 | 9A | 103 BPM | |
 | Violin Sonata in E-flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | |
 | Mystery Sonata No. 11 "The Resurrection": II. Surrexit Christus Hodie | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | F♯ Major | 1 | 2B | 135 BPM | |
 | Solo, triste y ausente (Anonymous) | Charivari Agréable, Kah-Ming Ng | A Minor | 0 | 8A | 91 BPM | |
 | Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | |
 | Concerto Armonico No. 5 in F Minor: A tempo comodo (con sordini) | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | G Major | 0 | 9B | 75 BPM | |
 | Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 92 BPM | |
 | Concerto grosso in F Major, Op. 3/7, RV. 567: IV. Adagio | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | D♭ Minor | 3 | 12A | 121 BPM | |
 | Vesperae solennes de Confessore, K.339: II. Confitebor | Wolfgang Amadeus Mozart, Charivari Agréable, Christopher Borrett, Christopher Watson, Jeremy Kenyon, Laurence Kilsby, Benjamin Nicholas | G Major | 0 | 9B | 63 BPM | |
| Mystery Sonata No. 8 "The Crown of Thorns": II. Gigue and Double Presto, Double | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | |
 | The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM | |
 | Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 0 | 11B | 94 BPM | |
 | Atenaide, RV 702, Sinfonia: I. Allegro | Antonio Vivaldi, Modo Antiquo, Federico Maria Sardelli | A Major | 3 | 11B | 141 BPM | |
 | Sonata a 5 in G Minor - Andante | Johann Caspar Kerll, Charivari Agréable, The King's Singers, Kah-Ming Ng | D♭ Minor | 0 | 12A | 99 BPM | |
 | Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | |
| Concerto Grosso in D Minor, Op. 2, No. 3: II. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 0 | 10B | 92 BPM | |
| Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | |
 | Concerto Grosso in E Minor, Op. 3, No. 3: II. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 87 BPM | |
 | Neubrandenburg Concerto No. 1: I. Vivace (Transcr. By Harer, after Bach's Christmas Oratorio, BWV 248: Opening chorus of the fifth Cantata) | Christoph Harer, Johann Sebastian Bach, La Festa Musicale | F♯ Minor | 3 | 11A | 109 BPM | |
 | Concerto in G Minor, No. 2, RV 104, La notte: I. Largo - Fantasmi - Presto | Antonio Vivaldi, Frans Brüggen, Orchestra Of The 18th Century | F♯ Minor | 2 | 11A | 146 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records