"Roberta Fakes Death" by Cliff Eidelman had its release date on January 1, 1995. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Now And Then (Original Motion Picture Score)". In this album, this song's track order is #9. Roberta Fakes Death is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roberta Fakes Death by Cliff Eidelman having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Exceptions | Cliff Eidelman | F Major | 0 | 7B | 115 BPM | ||
| Eras Sinteticas | Ninfas De Ultramar | D Minor | 1 | 7A | 79 BPM | ||
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| Shadows of Sorrow | Kevin Blumenfeld, Lorne Balfe | C Major | 4 | 8B | 130 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| Battlestar Galactica Theme | Stu Phillips | C Major | 5 | 8B | 96 BPM | ||
| Lucy - Awakenings - Original Motion Picture Soundtrack; 2008 Remaster | Randy Newman | B♭ Minor | 0 | 3A | 134 BPM | ||
| Kuba | Declan Seth, Morgan Richards | A Major | 3 | 11B | 65 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Amor en la Imaginacion | Ninfas De Ultramar | D Minor | 1 | 7A | 79 BPM | ||
| Catch - Awakenings - Original Motion Picture Soundtrack; 2008 Remaster | Randy Newman | C Major | 0 | 8B | 115 BPM | ||
| End Title - From "Star Trek: First Contact" | Jerry Goldsmith, Royal Scottish National Orchestra | F Major | 2 | 7B | 87 BPM | ||
| Into the Starscape | Craig Safan | E♭ Major | 2 | 5B | 113 BPM | ||
| My Way to Love You | Silviu Michaels, Sade | C Major | 3 | 8B | 110 BPM | ||
| Death Of Gorkon - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Major | 0 | 9B | 142 BPM | ||
| Star Trek IV - The Voyage Home (Main Title Theme) | Leonard Rosenman, Richard Hayman, Philharmonic Rock Orchestra | G Minor | 3 | 6A | 115 BPM | ||
| All Alone | JACK KAY | A Minor | 1 | 8A | 64 BPM | ||
| End Credits (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
| A New Friend | William Ross | E♭ Major | 0 | 5B | 172 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| Fully Functional | Star Trek - First Contact | B♭ Minor | 0 | 3A | 47 BPM | ||
| Main Title (Aired Version) | Jeff Russo | D Minor | 3 | 7A | 143 BPM | ||
| The Villa | Joseph Vitarelli | A♭ Major | 1 | 4B | 71 BPM |