"Fully Functional" by Star Trek - First Contact had its release date on March 5, 2010. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 13 in First Contact by Original Soundtrack/star Trek. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Fully Functional is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fully Functional by Star Trek - First Contact is Lento (slowly), since this song has a tempo of 47 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come with Me | Sara Baghirova, Sara Bag | D Minor | 4 | 7A | 105 BPM | ||
| べらぼう〜Unbound〜 | John R Graham, 斉藤 浩 | G Major | 3 | 9B | 142 BPM | ||
| Two Captains | Dennis McCarthy | C Major | 0 | 8B | 166 BPM | ||
| Re-Entry And Splashdown - From "Apollo 13" Soundtrack | James Horner | B Minor | 1 | 10A | 177 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Falcon Crest | Mark Ayres | A Minor | 5 | 8A | 112 BPM | ||
| The Inner Light from Star Trek | Kevin Durham | D Major | 2 | 10B | 64 BPM | ||
| Red Alert | Star Trek - First Contact | A♭ Major | 2 | 4B | 100 BPM | ||
| I Can Live with It (From "Star Trek: Deep Space Nine") [Live] | David Bell, Czech National Symphony Orchestra, Justin Freer | B Minor | 1 | 10A | 133 BPM | ||
| Planet Earth Prelude | George Fenton | B♭ Minor | 2 | 3A | 71 BPM | ||
| Jade | Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams | G Major | 0 | 9B | 136 BPM | ||
| Arrival At Helion | Graeme Revell | F Minor | 3 | 4A | 52 BPM | ||
| Anfang | Klaus Doldinger | B♭ Major | 1 | 6B | 50 BPM | ||
| Suite From Within The Serpent's Grasp | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Fully Functional | Star Trek - First Contact | B♭ Minor | 0 | 3A | 47 BPM | ||
| Leaving For Philadelphia | Rob Lane | D Minor | 4 | 7A | 87 BPM | ||
| The World Of The Heart - Main Title - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 122 BPM | ||
| Quantum Leap Main Title | Various Artists | G Major | 7 | 9B | 140 BPM | ||
| The Neutral Zone: Romulan Encounter | Ron Jones | D Minor | 2 | 7A | 131 BPM | ||
| Terminator Revives - Remastered 2017 | Brad Fiedel | D♭ Major | 5 | 3B | 133 BPM | ||
| The Orville Main Title | Bruce Broughton | C Minor | 5 | 5A | 0 BPM | ||
| 007 Takes the Lektor - From Russia With Love,1963 | Sean Connery, John Barry Orchestra | B Minor | 9 | 10A | 157 BPM | ||
| Hong Kong | Ilan Eshkeri | B Minor | 2 | 10A | 118 BPM | ||
| Line of Duty Opening Title Theme | Carly Paradis | B♭ Minor | 0 | 3A | 72 BPM | ||
| Star Trek: Voyager - Main Title | Jerry Goldsmith | F♯ Major | 2 | 2B | 99 BPM |