On October 20, 2022, the song "Changement" was released by Josef Strauss, 이현정. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 26 out of 26 in Ballet class 2 (발레 클래스 2) by 이현정. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. In terms of popularity, Changement is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Changement by Josef Strauss, 이현정 is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 : Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 98 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Madrugado | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | E♭ Major | 2 | 5B | 138 BPM | ||
| Estudiantina, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
| Prince Igor: Polovtsian Dances: e. Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
| Dronning Louise Vals (1868) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 105 BPM | ||
| L'elisir d'amore / Act I: Marziale | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 130 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
| Plappermäulchen - Polka schnell, Op.245 - 1989 Remastered Version | Josef Strauss, Wiener Johann Strauss Orchester, Willi Boskovsky, Johann Strauss II | F Major | 5 | 7B | 91 BPM | ||
| Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
| Bad'ner Mad'ln, Walzer, Op. 257 | Karel Komzák, Jr., Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 97 BPM | ||
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Coppélia / Tableau 2: No. 9 Scène (L'atelier de Coppélius) | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 1 | 8B | 133 BPM | ||
| Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM | ||
| La vie parisienne: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | F Major | 4 | 7B | 89 BPM | ||
| Tchaikovsky: Slavonic March, Op. 31 | Pyotr Ilyich Tchaikovsky, Seiji Ozawa, Berliner Philharmoniker | E Minor | 2 | 9A | 104 BPM | ||
| Hereinspaziert! Walzer, Op. 518 | Carl Michael Ziehrer, Gustavo Dudamel, Wiener Philharmoniker | G Major | 2 | 9B | 99 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| El Tambor De Granaderos - Preludio | English Chamber Orchestra | A Major | 4 | 11B | 139 BPM | ||
| Symphony No. 1, GMW 11: IIb. Trio. Recht gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 113 BPM | ||
| Faust - Ballet Music, Act III, Scene 1: "Les Nubiennes" | Philharmonia Orchestra, Herbert von Karajan | F Major | 2 | 7B | 151 BPM |