Laura Marling's 'False Hope' had a release date set for March 20, 2015. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Short Movie". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, False Hope's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With False Hope by Laura Marling having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Cities To Love | Sleater-Kinney | B Minor | 8 | 10A | 141 BPM | ||
| The Words That Maketh Murder | PJ Harvey | D Minor | 8 | 7A | 158 BPM | ||
| Hold On, Hold On | Neko Case | F Minor | 8 | 4A | 119 BPM | ||
| Courting The Squall | Guy Garvey | G Major | 4 | 9B | 114 BPM | ||
| Misunderstanding | This Is The Kit | B♭ Minor | 3 | 3A | 147 BPM | ||
| In My Time of Dust | Ed Harcourt | A Major | 6 | 11B | 93 BPM | ||
| Since You Were Not Mine | She Drew The Gun | G Major | 4 | 9B | 125 BPM | ||
| Not real | Stealing Sheep | F♯ Minor | 6 | 11A | 123 BPM | ||
| Bats In The Attic (Unravelled) | King Creosote, Jon Hopkins | A♭ Major | 4 | 4B | 88 BPM | ||
| Off Peak Dreams | Ghostpoet | A♭ Minor | 8 | 1A | 127 BPM | ||
| Ancient Rolling Sea | Slow Club | C Major | 3 | 8B | 117 BPM | ||
| Lilies | Bat For Lashes | B Major | 4 | 1B | 101 BPM | ||
| Paradise | LUMP, Laura Marling, Mike Lindsay | G Major | 3 | 9B | 100 BPM | ||
| Spirited | Laura Gibson | E♭ Major | 5 | 5B | 125 BPM | ||
| Let England Shake | PJ Harvey | F Major | 6 | 7B | 162 BPM | ||
| You're a Runner | Me And My Drummer | F Major | 5 | 7B | 105 BPM | ||
| Hidden Hand | Dry the River | B Major | 8 | 1B | 139 BPM | ||
| Undine | Laura Marling | E Minor | 3 | 9A | 108 BPM | ||
| The Third Death | Isobel Anderson | A Minor | 3 | 8A | 124 BPM | ||
| Who Needs Who | Dark Dark Dark | G Major | 2 | 9B | 132 BPM | ||
| Factory | Martha Wainwright | C Major | 6 | 8B | 88 BPM | ||
| Night Still Comes | Neko Case | E Major | 4 | 12B | 119 BPM | ||
| Leave Your Body Behind You | Richard Hawley | A♭ Minor | 9 | 1A | 90 BPM | ||
| Delirium | Neko Case, k.d. lang, Laura Veirs | F Minor | 7 | 4A | 116 BPM | ||
| Pauper's Dough | King Creosote | G Major | 5 | 9B | 82 BPM |