"Lamentations Ieremiae Prophetae: Novi diluculo" by Alonso Lobo, Tenebrae, Nigel Short had its release date on March 28, 2011. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #17 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Lamentations Ieremiae Prophetae: Novi diluculo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Novi diluculo by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lamentations Ieremiae Prophetae: Novi diluculo being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem Mass, 1605: Offertory, Domine, Jesu Christe | Tomás Luis de Victoria, Tenebrae, Nigel Short | E Minor | 1 | 9A | 74 BPM | ||
| Ave generosa | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | A Minor | 0 | 8A | 134 BPM | ||
| Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
| Introduction - Taaveti laul, No. 84 (Psalm 84) [Live]: Taaveti laul 141, "Issand, ma huuan Su poole" [Psalm 141, "O Lord I call to thee"] | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | B Minor | 0 | 10A | 85 BPM | ||
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| Vidimus Stellam: I. O Oriens | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Miserere: II. Amplius lavame ; Quoniam iniquitatem meam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | E Minor | 0 | 9A | 69 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Liturgy of St. John Chrysostom for Chorus, Op. 31: VIII. Cherubimic Hymn: "Which Cherubim..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
| Good Night Dear Heart | Setra Consort, Dan Forrest | B Major | 0 | 1B | 127 BPM | ||
| The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
| Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| De profundis clamavi | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | E♭ Major | 1 | 5B | 70 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| In pace in idipsum: In pace in idipsum | John Sheppard, Stile Antico | A♭ Major | 1 | 4B | 86 BPM | ||
| Ave Virgo Sanctissima | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | B Minor | 1 | 10A | 135 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: III. Benedictus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 118 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Flow, my tears | John Dowland, Stile Antico | B♭ Minor | 1 | 3A | 83 BPM | ||
| Variation 9: Nimrod) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 83 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Mass for Four Voices: V. Agnus Dei | William Byrd, Stile Antico | F Minor | 1 | 4A | 123 BPM | ||
| Three Songs of Faith: I. hope, faith, life, love.... | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM |