純音樂's ' "William Tell Overture" was released on its scheduled release date, July 1, 2009. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 心靈甜品101, so we believe that "William Tell Overture" is a single. The popularity of William Tell Overture is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of William Tell Overture by 純音樂 is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - Instrumental | Franz von Suppé, New York Philharmonic, Leonard Bernstein | A Major | 4 | 11B | 123 BPM | ||
| Sobre La Olas (Over The Waves) | Juventino Rosas, Andrew Davis | G Major | 1 | 9B | 167 BPM | ||
| Orphée aux enfers: Can-can (Featured in "Peter's Friends") | Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner | D Major | 4 | 10B | 146 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Symphonieorchester des Bayerischen Rundfunks, Andris Nelsons | E Minor | 1 | 9A | 143 BPM | ||
| Faust, Act II - Waltz | Wiener Symphoniker, Willi Boskovsky | A Major | 4 | 11B | 114 BPM | ||
| Military March No. 1 in D Major, Op. 39 "Pomp & Circumstance" | Edward Elgar, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 2 | 10B | 118 BPM | ||
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
| Romeo & Juliet, Op. 64, Act I: No. 13, Dance of the Knights (Montagues & Capulets) | Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 101 BPM | ||
| Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
| Carmen, Suite No.1 : II. Aragonaise | Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov | D Minor | 1 | 7A | 118 BPM | ||
| Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
| Die Walküre: Ride of the Valkyries | Richard Wagner, Eugene Ormandy, Philadelphia Orchestra | B Major | 5 | 1B | 95 BPM | ||
| Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM | ||
| Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2) | London Festival Orchestra, Alfred Scholz | F Major | 1 | 7B | 113 BPM | ||
| Die Walküre, WWV 86B: Ride of the Valkyries | Arthur Fiedler, Boston Pops Orchestra | B Major | 2 | 1B | 88 BPM | ||
| Hoedown | Vienna Symphony Orchestra | A Minor | 5 | 8A | 136 BPM | ||
| Peer Gynt - Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovak Philharmonic | F Major | 1 | 7B | 108 BPM | ||
| Valse De L'empereur | Franck Pourcel | C Major | 3 | 8B | 179 BPM | ||
| Music for the Royal Fireworks, HWV 351: V. La Réjouissance. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 5 | 10B | 113 BPM | ||
| Peer Gynt, Op. 23, Act II: No. 8, In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
| Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
| Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Minor | 0 | 8A | 134 BPM | ||
| The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | ||
| Pomp and Circumstance, Op. 39: March No. 1 in D Major | Edward Elgar, English String Orchestra, William Boughton | C Major | 3 | 8B | 111 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM |