"Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt)" by Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons had its release date on March 13, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 62 out of 70 in All We Need Is Love (& Classical Music) - A Valentine's Day Collection by Wolfgang Amadeus Mozart, Alexander Borodin, Antonio Vivaldi, Camille Saint-Saëns, Christoph Willibald Gluck, Claude Debussy, Dmitri Shostakovich, Edvard Grieg, Emmanuel Chabrier, Erik Satie, Felix Mendelssohn, Francis Poulenc, Franz Liszt, Franz Schubert, François Couperin, Frédéric Chopin, Gabriel Fauré, George Frideric Handel, George Gershwin, Giuseppe Verdi, Heitor Villa-Lobos, Jacques Offenbach, Jean Sibelius, Jean-Philippe Rameau, Johann Sebastian Bach, Johann Strauss II, John Dowland, Jules Massenet, Ludwig van Beethoven, Léo Delibes, Maurice Ravel, Pyotr Ilyich Tchaikovsky, Robert Schumann, Sergei Prokofiev, Sergei Rachmaninoff, Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) by Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Claudio Scimone, Piero Toso, I Solisti Veneti | C Minor | 3 | 5A | 153 BPM | ||
| Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
| Hungarian Rhapsody No. 2, S. 244/2 | Franz Liszt, Shura Cherkassky | D♭ Major | 1 | 3B | 74 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
| The Planets Suite, Op. 32: Jupiter | Gustav Holst, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 172 BPM | ||
| Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco piu presto | Johannes Brahms, Julia Fischer, Yakov Kreizberg, Netherlands Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
| Swan Lake, Op. 20: Act I: Valse | Pyotr Ilyich Tchaikovsky, Kristjan Järvi | C Minor | 0 | 5A | 93 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
| Concierto D' Aranjuez: II. Allegro con spirito | Joaquín Rodrigo, John Lubbock, Orchestra of St. John's | B Minor | 0 | 10A | 80 BPM | ||
| Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
| Symphonie Fantastique, Op. 14: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | G Minor | 1 | 6A | 76 BPM | ||
| Bizet: Carmen, Act 3: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
| Eugene Onegin (continued) (Act 3): Polonaise | Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov | G Major | 1 | 9B | 206 BPM | ||
| Concerto For Violin And Strings in E, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Federico Agostini, I Musici | F Major | 1 | 7B | 92 BPM | ||
| Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata | Johann Sebastian Bach, Wayne Marshall | D Major | 1 | 10B | 88 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
| Hungarian Rhapsody No. 2 in D minor, S.359 No. 2 (Corresponds with piano versionNo. 2 in C sharp minor) - Orch. Doppler - Excerpt | Franz Liszt, Gewandhausorchester, Kurt Masur | G Major | 1 | 9B | 76 BPM | ||
| Noches en los jardines de España: I. En el Generalife (Allegretto tranquillo e misterioso) | Manuel de Falla, Javier Perianes, BBC Symphony Orchestra, Josep Pons | F♯ Major | 1 | 2B | 129 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: 2. Aase's death | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | B Minor | 0 | 10A | 83 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |