Gustav Holst, David Parry, London Philharmonic Orchestra's 'The Planets Suite, Op. 32: Jupiter' had a release date set for June 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Thames Diamond Jubilee Pageant". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. The popularity of The Planets Suite, Op. 32: Jupiter is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Planets Suite, Op. 32: Jupiter by Gustav Holst, David Parry, London Philharmonic Orchestra having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" | Edward Elgar, London Philharmonic Orchestra, Ben Gernon | E♭ Major | 3 | 5B | 83 BPM | ||
| Orpheus in the Underworld: Infernal Galop "Can-Can" - Live In Brisbane, 2001 | Jacques Offenbach, Ola Rudner, Queensland Symphony Orchestra | D Major | 8 | 10B | 82 BPM | ||
| Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
| King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Vladimir Ashkenazy | B Major | 0 | 1B | 92 BPM | ||
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Major | 3 | 9B | 77 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
| Barber: Adagio for Strings, Op. 11 | Samuel Barber, Philadelphia Orchestra, Eugene Ormandy | B♭ Minor | 1 | 3A | 80 BPM | ||
| DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
| "Pastorale" Symphony No.6 in F Major, Op.68: III. Allegro | Ludwig van Beethoven, James Loughran, London Philharmonic Orchestra | F Major | 1 | 7B | 138 BPM | ||
| Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante | The London Symphony Orchestra - Philip Fowke | F Major | 1 | 7B | 178 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
| Gymnopédie No. 1 | Finghin Collins | G Major | 0 | 9B | 69 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
| The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
| The Planets - Suite For Orchestra, H. 125, Op. 32: Jupiter - The Bringer of Jollity | Gustav Holst, Mike Batt, Royal Philharmonic Orchestra | E Major | 1 | 12B | 130 BPM | ||
| Holst : The Planets Op.32 : V Saturn, the Bringer of Old Age | Giuseppe Verdi, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | C Major | 0 | 8B | 72 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Concerto No. 2 in G Minor, Op. 8 RV 315, "L'estate" (Summer): III. Presto | Emmy Verhey | C Minor | 5 | 5A | 139 BPM |