"Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"" by Edward Elgar, London Philharmonic Orchestra, Ben Gernon had its release date on July 9, 2020. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "Spatial Audio - The 3D Classical Collection". In this album, this song's track order is #29. Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" by Edward Elgar, London Philharmonic Orchestra, Ben Gernon having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 10 Woodland Sketches, Op. 51: No. 1 To a Wild Rose (Orchestrated by Thomas Frost) | Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra | A Major | 2 | 11B | 80 BPM | ||
| Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Five Bagatelles, Op. 23: No. 2, Romance. Andante tranquillo | Gerald Finzi, Michael Collins, Michael McHale | F Minor | 0 | 4A | 132 BPM | ||
| Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green | E Major | 1 | 12B | 82 BPM | ||
| A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | ||
| Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | A♭ Major | 1 | 4B | 69 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Beethoven: Coriolan Overture, Op. 62 | Ludwig van Beethoven, London Philharmonic Orchestra, Ben Gernon | C Minor | 2 | 5A | 80 BPM | ||
| Thaïs: Méditation | London Philharmonic Orchestra, Pieter Schoeman | D Major | 2 | 10B | 124 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Conclusion) | Gustav Mahler, Sir John Barbirolli, John Barbirolli, New Philharmonia Orchestra | A Minor | 1 | 8A | 77 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Piano Concerto No. 2 in F, Op. 102: 2. Andante | Dmitri Shostakovich, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | C Minor | 0 | 5A | 72 BPM | ||
| Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM | ||
| Keyboard Concertino in C Major, Hob. XIV:11: II. Un poco adagio | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | G Major | 1 | 9B | 172 BPM | ||
| Gianni Schicci, SC 88: O mio babbino caro | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 1 | 4B | 75 BPM | ||
| Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | ||
| Goin' Home | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | G Major | 1 | 9B | 135 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
| Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
| Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM |