The Get Up Kids's ' "Don't Hate Me" was released on its scheduled release date, September 30, 1997. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Don't Hate Me's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 11 in Four Minute Mile by The Get Up Kids. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Don't Hate Me is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Don't Hate Me by The Get Up Kids is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get What You Get | Hot Rod Circuit | B Minor | 9 | 10A | 86 BPM | ||
| Baby Blue | The Early November | B Major | 10 | 1B | 193 BPM | ||
| I'm a Loner Dottie, a Rebel | The Get Up Kids | B Minor | 9 | 10A | 177 BPM | ||
| Impossible Outcomes | The Get Up Kids | F Major | 10 | 7B | 135 BPM | ||
| The New Nathan Detroits | Braid | A Major | 9 | 11B | 88 BPM | ||
| The Bradley | Further Seems Forever | B♭ Minor | 9 | 3A | 146 BPM | ||
| Lying in Traffic | Counterfit | C Major | 8 | 8B | 157 BPM | ||
| Peace, Pain and Regret | The Anniversary | C Major | 8 | 8B | 140 BPM | ||
| Taker Not a Giver | Northstar | F Major | 9 | 7B | 169 BPM | ||
| From Finish to Starting Line | Counterfit | B Minor | 5 | 10A | 140 BPM | ||
| Paper | Mock Orange | F Major | 8 | 7B | 160 BPM | ||
| Que Shiraz | Hey Mercedes | A Major | 10 | 11B | 109 BPM | ||
| Girl, Why'd You Run Away | Reggie And The Full Effect | F Major | 10 | 7B | 150 BPM | ||
| Your Boyfriend Hates Me | Reggie And The Full Effect | D Major | 10 | 10B | 172 BPM | ||
| Midway | The Casket Lottery | B Minor | 8 | 10A | 115 BPM | ||
| Quality Revenge at Last | Hey Mercedes | G Major | 10 | 9B | 177 BPM | ||
| I Want To Hear You Sad | The Early November | D♭ Major | 8 | 3B | 93 BPM | ||
| What You're Up Against | Hey Mercedes | C Major | 8 | 8B | 140 BPM | ||
| November | Christie Front Drive | B Minor | 6 | 10A | 136 BPM | ||
| Thursday Side Of The Street | Knapsack | E Major | 9 | 12B | 164 BPM | ||
| Broken Radio | Rainer Maria | F♯ Major | 9 | 2B | 131 BPM | ||
| The Moon Is Down | Further Seems Forever | D♭ Major | 9 | 3B | 144 BPM | ||
| Jukebox Breakdown | Saves The Day | B Major | 9 | 1B | 200 BPM | ||
| For Apples | The Casket Lottery | A Major | 10 | 11B | 160 BPM | ||
| Tinfoil | Rainer Maria | D♭ Major | 8 | 3B | 120 BPM |