- BPM
- 126
- Key
- B Major
- Camelot
- 1B
Ave Maria (Bach) by Jean Sébastien Bach, Mathieu Salama Song Details
"Ave Maria (Bach)" by Jean Sébastien Bach, Mathieu Salama had its release date on November 6, 2014. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Ave Maria (Bach)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Airs de Castrat by Mathieu Salama. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Ave Maria (Bach)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Ave Maria (Bach) by Jean Sébastien Bach, Mathieu Salama is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.424 dB
- Acousticness
- 83%
- Danceability
- 18%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 79%
- Speechiness
- 4%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | David | Pietro Reggio, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | |
 | Emily — No Prisoner Be: No. 18, So set its Sun in Thee | Kevin Puts, Time For Three, Joyce DiDonato | B♭ Major | 0 | 6B | 87 BPM | |
 | Mass in B Minor, BWV 232: 26. Agnus Dei | Johann Sebastian Bach, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 2 | 10A | 63 BPM | |
 | A Boy Was Born, Op. 3: Corpus Christi Carol (arr. for lute by Jonas Nordberg) | Benjamin Britten, Ruby Hughes, Jonas Nordberg | B♭ Major | 0 | 6B | 87 BPM | |
 | Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | |
 | Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) | Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | |
 | La vignon | Monsieur de Sainte-Colombe, Hille Perl | G Major | 1 | 9B | 115 BPM | |
 | Cappellini: Raccolta di Ariette: Chi vuol ch’il cor gioisca | Pietro Paolo Cappellini, Jakub Józef Orliński, Il Pomo D'oro | F Minor | 1 | 4A | 166 BPM | |
 | Handel / Arr Pluhar: Pena tiranna (Aria di Dardano, from Amadigi di Gaula HWV 11) | George Frideric Handel, Christina Pluhar, Valer Sabadus, L'Arpeggiata | D Minor | 1 | 7A | 75 BPM | |
 | L'Orfeo, SV 318, Act 1: No. 4, Lasciate i monti | Claudio Monteverdi, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | |
 | Rossi: "Begl'occhi che dite" | Luigi Rossi, Christina Pluhar, Véronique Gens | F Minor | 0 | 4A | 109 BPM | |
 | Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) | Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | E♭ Minor | 1 | 2A | 58 BPM | |
 | L'Euridice, Scene 6: Gioite al canto mio (Arr. Pluhar) | Jacopo Peri, Rolando Villazón, L'Arpeggiata, Christina Pluhar | G Major | 4 | 9B | 141 BPM | |
 | Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | |
 | Yo Soy la Locura | Le Concert de l'Hostel Dieu, Heather Newhouse | F♯ Minor | 2 | 11A | 126 BPM | |
 | Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | B♭ Major | 0 | 6B | 87 BPM | |
 | L'Allegro, Il Penseroso, Ed Il Moderato, HWV 55 - Duet 'As steals the morn upon the night' | George Frideric Handel, Sandrine Piau, Stefano Montanari, Accademia Bizantina | E♭ Major | 0 | 5B | 98 BPM | |
 | Lachrimae, or Seaven Teares: No. 1, Lachrimae Antiquae | John Dowland, Christian-Pierre La Marca | A♭ Minor | 1 | 1A | 100 BPM | |
 | Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | E Minor | 0 | 9A | 138 BPM | |
 | Élégie | Dilyana Georgieva, Galina Apostolova | E Minor | 3 | 9A | 85 BPM | |
 | Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | E Minor | 0 | 9A | 71 BPM | |
 | Fairy Queen, Z. 629: One charming night - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 133 BPM | |
 | Zamba del Chaguanco (Zamba) | Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | A Minor | 2 | 8A | 73 BPM | |
 | Tres sirenas | Anonymous, Christina Pluhar, Christina Pluhar/L'Arpeggiata/Vincenzo Capezzuto/Katerina Papadopoulou/Raquel Andueza | B Minor | 2 | 10A | 131 BPM | |
 | Cara Sposa - Live | Philippe Jaroussky, Ensemble Contraste | E Minor | 4 | 9A | 56 BPM |
- ISRC
- FRP621425320
- Label
- L-M Records/RCA Records