Arthur Prysock's ' "Remembering How We Could Be Warm Together" was released on its scheduled release date, January 1, 1992. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "This Is My Beloved". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Remembering How We Could Be Warm Together is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Remembering How We Could Be Warm Together by Arthur Prysock having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Deep Is The Ocean? | Billie Holiday | F Minor | 4 | 4A | 139 BPM | ||
| Don't Take Your Love From Me | Johnny Hodges & His Orchestra | C Major | 1 | 8B | 178 BPM | ||
| For The Want Of A Kiss - Live | Johnny Hartman | C Major | 1 | 8B | 91 BPM | ||
| These Foolish Things | Lester Young | E♭ Major | 1 | 5B | 75 BPM | ||
| And That Reminds Me | Della Reese | D Minor | 2 | 7A | 120 BPM | ||
| Charade | Johnny Hartman | B Minor | 2 | 10A | 87 BPM | ||
| He'll Have To Go - Original King Recordings | Arthur Prysock | A Major | 5 | 11B | 181 BPM | ||
| It's a Quiet Thing | Morgana King | A Major | 1 | 11B | 81 BPM | ||
| Everytime | Chris Connor | E♭ Minor | 0 | 2A | 64 BPM | ||
| It's De-Lovely | Jeri Southern | B♭ Major | 1 | 6B | 74 BPM | ||
| I'm In The Mood For Love | James Moody | D♭ Major | 2 | 3B | 106 BPM | ||
| You Better Go Now | Red Garland Trio | C Minor | 2 | 5A | 104 BPM | ||
| I've Grown Accustomed To Your Face | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 1 | 4B | 121 BPM | ||
| Centerpiece | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 105 BPM | ||
| I Got A Right To Cry - Remastered | Mose Allison | A♭ Major | 3 | 4B | 120 BPM | ||
| Pick Yourself Up | Mark Murphy | G Major | 3 | 9B | 108 BPM | ||
| The Nearness Of You | Dorothy Dandridge | G Major | 1 | 9B | 88 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM | ||
| My Foolish Heart | Carmen McRae | F♯ Major | 2 | 2B | 78 BPM | ||
| Every Time We Say Goodbye | Jimmy Scott | E Major | 2 | 12B | 115 BPM | ||
| Cottage for Sale (12) | Chris Connor | F Major | 0 | 7B | 113 BPM | ||
| Say It Ain't So, Joe | Dakota Staton | B♭ Minor | 3 | 3A | 91 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| Misty | Don Byas | F Major | 1 | 7B | 72 BPM | ||
| Our Day Will Come | Jimmy Scott | B♭ Minor | 1 | 3A | 86 BPM |