"Serenade for String Orchestra, Op. 5: II. Marcia" by Eugen Suchoň, Slovak Chamber Orchestra, Bohdan Warchal had its release date on January 1, 2009. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Suk - Suchon: Serenades for String Orchestra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Serenade for String Orchestra, Op. 5: II. Marcia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade for String Orchestra, Op. 5: II. Marcia by Eugen Suchoň, Slovak Chamber Orchestra, Bohdan Warchal having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Midsummer Night's Dream, Op. 61 (arr. for Wind Quintet): VI. Scherzo. Allegro vivace | Felix Mendelssohn, Ma'alot Quintett | F Minor | 1 | 4A | 83 BPM | ||
| Elgar: 3 Bavarian Dances, Op. 27a: No. 2, Lullaby | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 1 | 10B | 73 BPM | ||
| Piano Quintet in G Minor, Op. 57: IV. Intermezzo | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D Minor | 1 | 7A | 129 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Maan virsi (Hymn to the Earth), Op. 95 | Jean Sibelius, Finnish National Opera Chorus, Finnish National Opera Orchestra, Eri Klas | C Major | 1 | 8B | 74 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: II. Allegro appassionato | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Wenn ich ein Vöglein wär, Op. 43, No. 1 (Arr. for Viola, Cello and Piano) | Robert Schumann, Nils Mönkemeyer | C Major | 0 | 8B | 83 BPM | ||
| Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) | Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra | F Minor | 0 | 4A | 122 BPM | ||
| Le Tombeau des seventies: II. Néo-Menuet 1770 | Guillaume Connesson, Stradivaria, Guillaume Cuiller | F Minor | 1 | 4A | 83 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | A Major | 4 | 11B | 175 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| The Seasons, Op. 67: IV. Winter: Variation 4, Snow | Alexander Glazunov, Alexander Anissimov, Moscow Symphony Orchestra | F Minor | 1 | 4A | 164 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" | Georges Bizet, Scottish National Orchestra, Alexander Gibson | F Minor | 1 | 4A | 83 BPM | ||
| Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | Classic FM Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | F Minor | 1 | 4A | 83 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Britten: Soirées musicales, Op. 9: I. March | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | F Minor | 1 | 4A | 83 BPM | ||
| Sinfonia Concertante, Op. 125: I. Andante | Sergei Prokofiev, The Pilsen Philharmonic Orchestra, Chuhei Iwasaki, Michał Balas | F Minor | 1 | 4A | 83 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM |