"教会のアリア" by ストラデッラ, Maki Mori had its release date on January 26, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in アヴェ・マリア, so we believe that "教会のアリア" is a single. 教会のアリア is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 教会のアリア by ストラデッラ, Maki Mori is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Così fan tutte, K. 588 / Act II: "Secondate, aurette amiche" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin, Vocalensemble Rastatt | E♭ Major | 0 | 5B | 81 BPM | ||
| Il Trovatore: Timor di me? ... D'amor sull'ali rosee | Giuseppe Verdi, Liping Zhang/Giordano Bellincampi/City of Prague Philharmonic Orchestra, Giordano Bellincampi, The City of Prague Philharmonic Orchestra | F Minor | 0 | 4A | 83 BPM | ||
| Shylock, Op. 57: I. Chanson | Gabriel Fauré, Lynda Russell, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Herbert von Karajan, Anna Tomowa-Sintow, Wiener Singverein, Berliner Philharmoniker | G Major | 1 | 9B | 86 BPM | ||
| Stabat mater: II. Cujus animam gementem | Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| アヴェ・ヴェルム・コルプス | Wolfgang Amadeus Mozart, Maki Mori | F Major | 0 | 7B | 70 BPM | ||
| Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
| Weill: The Seven Deadly Sins: V. Lechery. "Und wir fanden einen Mann" | Kurt Weill, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E♭ Minor | 2 | 2A | 100 BPM | ||
| Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | ||
| Messa di Gloria: Et resurrexit | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Don Pasquale: Tornami a dir che m'ami | Gaetano Donizetti, Erin Morley, Lawrence Brownlee, Munich Radio Orchestra, Ivan Repusic | A Major | 1 | 11B | 82 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Dolore pleni" (Eleazar) | Johann Adolf Hasse, Thibault Noally, Les Accents, Carlo Vistoli | D Major | 1 | 10B | 72 BPM | ||
| ミ・マンキ | Berlincioni Fabrizio, Kohei Yamamoto | E♭ Minor | 2 | 2A | 100 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Âme de Nuit, Op. 12: II. La nuit | Elise Bertrand, Adèle Charvet, Nathanaël Gouin | E♭ Minor | 2 | 2A | 100 BPM | ||
| Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum | Wolfgang Amadeus Mozart, Luzerner Sinfonieorchester, Michael Sanderling, Alexandros Stavrakakis, Fatma Said, Marianne Crebassa, Pene Pati | A Minor | 2 | 8A | 89 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique | Carl Orff, Sir Simon Rattle, Knaben des Staats- und Domchors Berlin, Sally Matthews, Berliner Philharmoniker | G Major | 0 | 9B | 126 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" | Wolfgang Amadeus Mozart, Heidi Grant Murphy, Metropolitan Opera Orchestra, James Levine | E♭ Major | 0 | 5B | 141 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit | Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
| Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
| Spontini: La vestale, Act 2: "Impitoyables dieux !" (Julia) | Gaspare Spontini, Philharmonia Orchestra, Rita Gorr, Lawrance Collingwood | E♭ Minor | 2 | 2A | 100 BPM | ||
| Orlando Furioso, RV 728, Act II, Scene 6: Chiara al pari di lucida stella | Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus, Veronica Cangemi | B♭ Major | 1 | 6B | 70 BPM | ||
| Stabat Mater in F Minor, P. 77: II. Cujus animam gementem | Giovanni Battista Pergolesi, Sandrine Piau, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 112 BPM |