"Renaissance, Book 2: Sarabande (Lully)" by Leopold Godowsky, Konstantin Scherbakov had its release date on October 2, 1998. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Leopold Godowsky, Konstantin Scherbakov's "Godowsky, L.: Piano Music, Vol. 3" album is number 1 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Renaissance, Book 2: Sarabande (Lully) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin Scherbakov to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
| Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
| I. Allegretto ben moderato (Arr. for Cello and Piano by Jules Delsart) | César Franck, Camille Thomas, Julien Libeer | F♯ Minor | 1 | 11A | 69 BPM | ||
| Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | ||
| 6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
| Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
| 2 Pieces for the Left Hand, Op. 9: No. 1, Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | A Major | 0 | 11B | 126 BPM | ||
| Capriccio Op. 76, No. 2 in B minor | Evgeny Kissin | B Major | 1 | 1B | 94 BPM | ||
| La Veneziana (Barcarolle) in G Minor CG 593 | Charles Gounod, Roberto Prosseda | G Minor | 0 | 6A | 86 BPM | ||
| Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
| 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Triakontameron, Vol. 3: Triakontameron: No. 11, Alt-Wien (Arr. For violin and piano) | Leopold Godowsky, Vilmos Szabadi, Márta Gulyás | G Major | 1 | 9B | 91 BPM | ||
| Berceuse in D Flat Major, Op. 57 | Frédéric Chopin, Hélène Grimaud | D♭ Major | 1 | 3B | 95 BPM | ||
| 24 Preludes and Fugues, Op. 87: Fugue No. 11 in B Major: Allegro | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
| Suite española No. 1, Op. 47: Sevilla (Sevillanas) | Isaac Albéniz, Alicia de Larrocha | D Major | 1 | 10B | 117 BPM | ||
| Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
| Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso | Emanuel Ax | F♯ Major | 2 | 2B | 71 BPM | ||
| Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
| Symphony No. 4 in F major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto | Budapest Failoni Chamber Orchestra, Carl Ditters von Dittersdorf | F Major | 1 | 7B | 81 BPM | ||
| Sonata in D Minor, L. 108 | Domenico Scarlatti, Belle Chen | D Minor | 0 | 7A | 96 BPM | ||
| Goldberg Variations, BWV 988: Var. 13 a 2 Clav. | Johann Sebastian Bach, Igor Levit | G Major | 1 | 9B | 62 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Transc. A. Solti] | Johann Sebastian Bach, Roberto Cominati | D Major | 0 | 10B | 127 BPM | ||
| Piano Trio No. 43 in C Major, Hob. XV: 27: II. Andante | Joseph Haydn, Trio Wanderer | A Minor | 1 | 8A | 106 BPM | ||
| Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante | Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair | B♭ Major | 0 | 6B | 84 BPM |