"Symphony No. 4 in F major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto" by Budapest Failoni Chamber Orchestra, Carl Ditters von Dittersdorf had its release date on October 18, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in DITTERSDORF: Sinfonias on Ovid's Metamorphoses, Nos. 4 - 6 by Budapest Failoni Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Symphony No. 4 in F major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in F major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto by Budapest Failoni Chamber Orchestra, Carl Ditters von Dittersdorf is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andante Cantabile from String Quartet No. 1 in D Major, Op. 11 (Arr. Leopold Stokowski) | Pyotr Ilyich Tchaikovsky, Matthias Bamert, BBC Philharmonic | F Major | 0 | 7B | 90 BPM | ||
| Sonata in F Major, K. 533: III. Allegretto | Richard Goode | F Major | 0 | 7B | 137 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
| Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 67 BPM | ||
| Oboe Concerto in F Major, RV 455: III. Allegro | Antonio Vivaldi, Judit Kiss-Domonkos, Stefan Schilli, Gábor Kósa, Budapest Failoni Chamber Orchestra, Pier Giorgio Morandi | F Major | 2 | 7B | 130 BPM | ||
| Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Apres Une Reve | Gabriel Fauré, Nicola Benedetti, Alexei Grynyuk | F Minor | 1 | 4A | 168 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Yuja Wang, Tonhalle-Orchester Zürich, Lionel Bringuier | D♭ Minor | 0 | 12A | 85 BPM | ||
| Overtures For 2 Horns, 2 Oboes And Strings / Overture No. 2 In A: 2. Andante | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | B Minor | 0 | 10A | 101 BPM | ||
| Symphony in G Major, Bryan G6: II. Andante molto grazioso | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | D Major | 0 | 10B | 74 BPM | ||
| Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 1 | 6B | 95 BPM | ||
| Concerto For Harp In B-Flat Major: I. Andante Allegro | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 94 BPM | ||
| 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | G Minor | 0 | 6A | 112 BPM | ||
| Jocelyn Suite, Op. 100: II. Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 128 BPM | ||
| Havanaise in E Major, Op. 83 | Camille Saint-Saëns, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes Wildner | E Major | 1 | 12B | 95 BPM | ||
| Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
| Sinfonia in A Minor for Two Violins and Basso Continuo, Wq. 156: II. Andantino | Carl Philipp Emanuel Bach, Café Zimmermann | E Major | 1 | 12B | 126 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM | ||
| Oboe Concerto In C Major, RV 450: III. Allegro | Antonio Vivaldi, Stefan Schilli, Budapest Failoni Chamber Orchestra, Takako Nishizaki | C Major | 2 | 8B | 125 BPM |