"String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile" by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra had its release date on January 1, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Tchaikovsky: Rococo Variations; Souvenir de Florence; Lensky's Aria From "Eugen Onegin"; Nocturne In D Minor (From Op. 19, No. 4); Andante Cantabile, Op. 11". In this album, this song's track order is #13. In terms of popularity, String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
| Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 88 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance | Erich Wolfgang Korngold, Jascha Heifetz, Los Angeles Philharmonic, Alfred Wallenstein | G Major | 3 | 9B | 102 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Fauré: Suite de Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | E♭ Major | 1 | 5B | 72 BPM | ||
| Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | C Minor | 1 | 5A | 149 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | G Major | 2 | 9B | 98 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Donka Angatscheva | D♭ Major | 0 | 3B | 64 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
| Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Johann Sebastian Bach, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | ||
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 107 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
| Polonaise de Concert in D, Op. 4 | Henryk Wieniawski, Nikolaj Znaider | D Major | 2 | 10B | 178 BPM | ||
| Concierto Para Piano Y Orquesta Nº 1, En Mi Menor Op.11 - Rondo. Vivace | Martha Argerich | E Major | 3 | 12B | 64 BPM | ||
| Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra | E Major | 0 | 12B | 62 BPM | ||
| Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
| Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Piano Concerto No. 1 In B Flat Minor, Op. 23: II. Andantino Semplice - Prestissimo - Tempo I | Polish National Radio Symphony Orchestra, Bernd Glemser, Pyotr Ilyich Tchaikovsky | D♭ Major | 0 | 3B | 128 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, CSSR State Philharmonic Orchestra, Kosice, Keith Clark | C Major | 0 | 8B | 78 BPM |