"Nocturne in F Sharp Minor, Op.48 No.2" by Rik had its release date on September 9, 2018. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 14 out of 20 in Chopin: The Romantic Period, Nocturnes by Rik. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Nocturne in F Sharp Minor, Op.48 No.2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne in F Sharp Minor, Op.48 No.2 by Rik is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
| Etude No.1 in C Major, Op.10: "Waterfall" | Rik | C Major | 2 | 8B | 86 BPM | ||
| L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Claudio Arrau | B♭ Major | 0 | 6B | 108 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
| Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
| The Well-Tempered Clavier, Book 1: Prelude & Fugue No. 1 in C Major, BWV 846 | Johann Sebastian Bach, András Schiff | C Major | 1 | 8B | 121 BPM | ||
| Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman, Boston Pops Orchestra | A Minor | 0 | 8A | 136 BPM | ||
| 3 Gymnopédies: I. Lent et douloureux | Erik Satie, Frank Glazer | G Major | 0 | 9B | 83 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Piano Sonata No. 14 in C Sharp Minor, Op.27 No. 2 'Moonlight': I. Adagio sostenuto | Moura Lympany | D♭ Minor | 0 | 12A | 75 BPM | ||
| The Planets Suite, Op. 32: Jupiter | Gustav Holst, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 172 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | ||
| Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 133 BPM | ||
| Debussy: Arabesque No. 1 | Daniel Pollack | E Major | 1 | 12B | 72 BPM | ||
| Carmen: Habanera - Instrumental | Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 136 BPM | ||
| The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
| Ave Maria in B-Flat Major, S. 558/12 | Rik | C Minor | 5 | 5A | 150 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
| Piano Concerto No. 20 in D Minor, K. 466, III. Rondo. Allegro Assai | Rik, Wiener Philharmoniker | D Minor | 3 | 7A | 73 BPM | ||
| String Quartet No. 1 | Pyotr Ilyich Tchaikovsky, Shostakovich Quartet | F Major | 1 | 7B | 105 BPM |