On December 30, 2024, the song "Maruti Harathi Lela Bapu" was released by Balakrishna Badthya. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Maruti Harathi Lela Bapu and no other songs are present in the album, we classify this track as a single. Based on our statistics, Maruti Harathi Lela Bapu's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maruti Harathi Lela Bapu by Balakrishna Badthya to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yededu Lokalu Yeleti Ramudu, Pt. 3 | Divya Malika, Dilip Devgan | A♭ Minor | 7 | 1A | 135 BPM | ||
| Shankarudu | Charan Arjun | F♯ Major | 9 | 2B | 116 BPM | ||
| Balare Balare Lale Lachu | Nagaraju Kasani | E♭ Minor | 9 | 2A | 150 BPM | ||
| Tara Gola Dusarethi Kamakereka | Balakrishna Badthya | B♭ Minor | 9 | 3A | 134 BPM | ||
| Diti Kai Chori Manna | SURESH JATAVTH | F♯ Minor | 7 | 11A | 180 BPM | ||
| Kattukunnadaana | Ramu Adnan | C Minor | 5 | 5A | 153 BPM | ||
| Pettuko Pottidaana | Prabha | B Minor | 9 | 10A | 82 BPM | ||
| Champesthundi Nannu | Katike Ramu, Shekar Darshanam | G Major | 3 | 9B | 95 BPM | ||
| Neellaku Poyeti Oo Neelaveni | Hanmanth Yadav | F♯ Minor | 9 | 11A | 150 BPM | ||
| Pula Galala A Chinni | Chitapata Karnakar, Roja | E Minor | 6 | 9A | 87 BPM | ||
| Katuka Kanule | Sravan Diamond | G Minor | 5 | 6A | 135 BPM | ||
| Mannincheiva | Justin Prabhakaran, Krishna Tejasvi, Padmaja Sreenivasan, Rakendu Mouli | B♭ Minor | 9 | 3A | 134 BPM | ||
| Hamsalanti Nadumunnadanniro | Bangarigalla Prabhavathi | G Major | 9 | 9B | 100 BPM | ||
| Pare Godari | Naga Durga | D♭ Major | 9 | 3B | 162 BPM | ||
| Hatha Bhelana | Balakrishna Badthya | D♭ Minor | 8 | 12A | 140 BPM | ||
| Voni Udalena | BALAKRISHNA VADHTHYA, Suhasini S | D♭ Minor | 7 | 12A | 147 BPM | ||
| DUBAI NUNCHI VACHINA BAVA | Ram Adnan, Singer Prabha, YAMUNA TARAK | F♯ Major | 9 | 2B | 100 BPM | ||
| AGAMMA AGARADHE RADHAMMA, Pt. 2 | BATTU SHAILAJA, Boddu dilip | C Minor | 10 | 5A | 150 BPM | ||
| Sankranti Utsavam | Katike Ramu, Suman | B♭ Minor | 9 | 3A | 134 BPM | ||
| Chodgochirey | Ramu Rathod | A Major | 8 | 11B | 144 BPM | ||
| Andala Aparanji | Ramu Adnan | F Minor | 6 | 4A | 104 BPM | ||
| Nannu Badhapettake | Nava Sandeep | G Minor | 6 | 6A | 144 BPM | ||
| Inthena O Pilla Inthena | Ramu Singer | G Major | 5 | 9B | 75 BPM | ||
| Maruti Harathi Lela Bapu | Balakrishna Badthya | C Minor | 7 | 5A | 128 BPM | ||
| Har Bangadi Vajare | DEVENDAR RATHOD, Roja Bai | A♭ Minor | 7 | 1A | 85 BPM |