"Make An Exception" by Harry Gregson-Williams had its release date on September 23, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The Equalizer (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Make An Exception is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Make An Exception by Harry Gregson-Williams having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wexler Meets The Consultant | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 7 | 8B | 180 BPM | ||
| Hali Mari | Jordan Clark, Jokardon | E Minor | 5 | 9A | 100 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Planet X | Anže Rozman, Andrew Christie | A♭ Major | 2 | 4B | 164 BPM | ||
| Flight to Compound | Alexandre Desplat | B♭ Minor | 1 | 3A | 116 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Nightmare | Harry Gregson-Williams | C Minor | 5 | 5A | 100 BPM | ||
| Godspeed, Doctor | Jon Ekstrand | D♭ Major | 2 | 3B | 84 BPM | ||
| Norah's Theme | Marco Beltrami, Brandon Roberts | D Minor | 1 | 7A | 170 BPM | ||
| Powaqa Rescue | Ryuichi Sakamoto, alva noto, Bryce Dessner | G Major | 1 | 9B | 81 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| I'm Counting On You Jim...One Last Time | Christopher Drake | D♭ Major | 3 | 3B | 172 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Bombings | Alexandre Desplat | E♭ Major | 0 | 5B | 79 BPM | ||
| The Beast Is On the Move | West Dylan Thordson | F♯ Major | 1 | 2B | 69 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| Skyfall | Thomas Newman | B Major | 1 | 1B | 64 BPM | ||
| Wrath of Man | Chris Benstead | D♭ Major | 3 | 3B | 137 BPM | ||
| Flowers, Bodies and Smiles | Blake Neely | A Minor | 2 | 8A | 119 BPM | ||
| Graven Image | Zack Hemsey | B♭ Minor | 3 | 3A | 96 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Hotel Mira | Adam Peters | C Major | 1 | 8B | 93 BPM | ||
| Shawshank Redemption | Thomas Newman | F♯ Major | 0 | 2B | 82 BPM | ||
| INVERSION | Ludwig Göransson | D♭ Major | 4 | 3B | 120 BPM |