"Aus und vorbei!" by Günter Josek had its release date on November 2, 2007. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael "Bully" Herbig's "Lissi und der Wilde Kaiser" album is number 32 out of 81. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Aus und vorbei! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aus und vorbei! by Günter Josek to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaiserin Mutter | Günter Josek | C Major | 1 | 8B | 135 BPM | ||
| Dance Of The Shepherds | Audinity | A Major | 1 | 11B | 180 BPM | ||
| Poirot Variants | Christopher Gunning, Rumon Gamba, BBC Philharmonic, Martin Robertson | G Minor | 1 | 6A | 71 BPM | ||
| Record Breaker | Craig Safan | A♭ Major | 1 | 4B | 112 BPM | ||
| In the Hood | Ede Rezvanov, Onlyfire | D Minor | 1 | 7A | 95 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| Sin Aura | Las Eternas | G Major | 5 | 9B | 140 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| Reverie | Aurora Crescendo | C Minor | 2 | 5A | 194 BPM | ||
| Vine Dining | Curtis Green | C Minor | 6 | 5A | 143 BPM | ||
| Eddie on Tracy Island | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| TRACK | Atobare | F♯ Major | 2 | 2B | 166 BPM | ||
| Ceremonial Promise | Echos in tempo | D Minor | 2 | 7A | 79 BPM | ||
| No Where To Go But Up (from "Mary Poppins Returns") | Guy Dearden | B Minor | 4 | 10A | 140 BPM | ||
| Live and Let Die Suite: IV. Baron Samedi's Dance of Death | George Martin, Berlin Music Ensemble, Craig Leon | F Minor | 6 | 4A | 112 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| The Winter's Tale, Act II Scene 1: Florizel and Perdita's Tryst | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | F♯ Minor | 5 | 11A | 93 BPM | ||
| Bond Look-Alike | John Barry | E♭ Minor | 4 | 2A | 106 BPM | ||
| Evil Plan | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Hero's Canton | Jeremy Soule | D Minor | 2 | 7A | 79 BPM | ||
| Flying Pussy | Bruce Broughton | C Major | 1 | 8B | 83 BPM | ||
| Sensuality | Roy Ricardo, Ricc Roy | F Major | 2 | 7B | 83 BPM | ||
| Procession of the Nobles | Olive the Otter Dog | C Minor | 2 | 5A | 112 BPM | ||
| Galleon | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| Scheherazade the Story of the Prince Kalandar | Olive the Otter Dog | E Minor | 0 | 9A | 146 BPM |