"September Song - Remastered" by Kurt Weill, Maxwell Anderson, David Rose had its release date on May 15, 2020. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Performing All His Hits! (Remastered)". In this album, this song's track order is #14. September Song - Remastered is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With September Song - Remastered by Kurt Weill, Maxwell Anderson, David Rose having a BPM of 51 with a half-time of 26 BPM and a double-time of 102 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | C Major | 1 | 8B | 78 BPM | ||
| The Threepenny Opera: Moritat von Mackie Messer (Mack the Knife) | Kurt Weill, Lotte Lenya, Roger Bean | F♯ Minor | 5 | 11A | 152 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | E Major | 1 | 12B | 84 BPM | ||
| Berlioz: Les nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Major | 1 | 12B | 84 BPM | ||
| Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
| Emily — No Prisoner Be: No. 20, Tell Her | Kevin Puts, Time For Three, Joyce DiDonato | E Major | 1 | 12B | 84 BPM | ||
| Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") | Kurt Weill, Wolfgang Neuss, Johanna von Koczian, Inge Wolffberg, Wilhelm Brückner-Rüggeberg | C Major | 2 | 8B | 119 BPM | ||
| Mahagonny Songspiel: III. No. 2, Alabama Song "Oh Show Us the Way to the Next Whisky-Bar" | Kurt Weill, Mary Thomas, Meriel Dickinson, London Sinfonietta, David Atherton | E Major | 1 | 12B | 84 BPM | ||
| Die Dreigroschenoper: Anstatt-daß-Song | Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 100 BPM | ||
| Walton: Façade: VII. Lullaby for Jumbo | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders | A Minor | 0 | 8A | 87 BPM | ||
| Un final sans fin II - 永遠に終わらないフィナーレ II | Umitaro Abe, BUN Imai, 大石俊太郎 | E Major | 1 | 12B | 84 BPM | ||
| Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
| September Song | Maxwell Anderson, Kurt Weill, Danish National Symphony Orchestra, DR Big Band, Tuva Semmingsen, Klaus Tönshoff | F Major | 1 | 7B | 137 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Petite messe solennelle: Kyrie. Kyrie eleison (1863 chamber Version) | Gioachino Rossini, Mireille Capelle, Catherine Patriasz, Joseph Cornwell, Jelle Draijer, Leo Van Doeselaar, Jos Van Immerseel, Wyneke Jordans, Netherlands Chamber Choir | C Major | 0 | 8B | 129 BPM | ||
| Die sieben Todsünden: IV. Völlerei | Kurt Weill, Michael Porter, Simon Bode, Michael Nagl, Oliver Zwarg, Konzerthausorchester Berlin, Joana Mallwitz | G Minor | 1 | 6A | 119 BPM | ||
| Candide: Overture | Leonard Bernstein, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 3 | 5B | 141 BPM | ||
| Tango - From "Agony" | Alfred Schnittke, Kian Soltani | A♭ Major | 1 | 4B | 112 BPM | ||
| Myrthen, Op. 25: No. 7, Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | G Major | 2 | 9B | 108 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| 3 Old Viennese Dances: Liebesleid | Fritz Kreisler, Victor Symphony Orchestra, Charles O'Connell | F Major | 3 | 7B | 104 BPM | ||
| Salome, Op. 54, Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F Minor | 0 | 4A | 86 BPM |