Samuel Sim's 'Superior Men' had a release date set for October 4, 2009. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 30 in Emma (Original Television Soundtrack) by Samuel Sim. The popularity of Superior Men is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Superior Men by Samuel Sim is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two Households - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | F Major | 1 | 7B | 83 BPM | ||
| Never Speak a Word of Her Fate | Rob Simonsen | B♭ Minor | 1 | 3A | 61 BPM | ||
| Learning To Walk - Score | John Debney | B Major | 0 | 1B | 103 BPM | ||
| Lover's Vows | James Shearman, Nick Ingman | F Major | 1 | 7B | 103 BPM | ||
| To Morgana | Rob Lane | B♭ Major | 0 | 6B | 99 BPM | ||
| Bridget | Rachel Portman | E Minor | 0 | 9A | 133 BPM | ||
| Love & the Rehearsal | Stephen Warbeck, Nick Ingman, Gavyn Wright | G Major | 1 | 9B | 89 BPM | ||
| The Beach and the Past | Stephen Warbeck | G Minor | 1 | 6A | 70 BPM | ||
| Olive Harvest | Christophe Beck | D Major | 1 | 10B | 122 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| In Viola's Room - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 89 BPM | ||
| I Do Nothing Every Day | Geoff Zanelli, Jon Brion | G Major | 1 | 9B | 74 BPM | ||
| Not One's Just Desserts | John Lunn, The Chamber Orchestra Of London | F Major | 2 | 7B | 79 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Tempt Not A Desperate Man | Abel Korzeniowski | D Minor | 2 | 7A | 120 BPM | ||
| Sabotage - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | F♯ Major | 1 | 2B | 136 BPM | ||
| Pat's Loss | Samuel Sim | G Major | 2 | 9B | 87 BPM | ||
| The Market | George Fenton | C Major | 0 | 8B | 78 BPM | ||
| Mr. Elton | Samuel Sim | G Major | 1 | 9B | 88 BPM | ||
| Viola's Audition - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 74 BPM | ||
| Under the Umbrella / End Title - From "Little Women" | The City of Prague Philharmonic Orchestra | C Major | 2 | 8B | 80 BPM | ||
| Harangue | James Shearman, Nick Ingman | F♯ Minor | 1 | 11A | 78 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Walking On Water | George Fenton | B♭ Major | 0 | 6B | 79 BPM | ||
| The Creation | Steffen Schmidt | B Minor | 1 | 10A | 85 BPM |