"The Final Hour" by Klayton had its release date on September 10, 2025. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Final Hour's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weapons of War: Ignition by Klayton. The song's track number on the album is #1 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, The Final Hour is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since The Final Hour by Klayton has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Final Hour being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raising the Damned | Damned Anthem | D Major | 9 | 10B | 95 BPM | ||
| Mutiny | Varien | D♭ Major | 8 | 3B | 100 BPM | ||
| Bleeder | Sebastian Komor | A♭ Major | 10 | 4B | 130 BPM | ||
| Kenshin - Instrumental | HEADLINK, Yakuza Yaroku, spixxxy | F♯ Minor | 9 | 11A | 120 BPM | ||
| Insolent Demand | Sightless in Shadow | A Major | 7 | 11B | 114 BPM | ||
| Constant Domination | Entropy Zero | D♭ Major | 8 | 3B | 144 BPM | ||
| Jockz | Owl Vision | B♭ Minor | 8 | 3A | 140 BPM | ||
| Purified | Celldweller | D♭ Major | 9 | 3B | 155 BPM | ||
| On Borrowed Time | Klayton | D Major | 6 | 10B | 150 BPM | ||
| Ride Or Die | TheUnder | A♭ Major | 9 | 4B | 170 BPM | ||
| MechaDragon | Epic Score | A Major | 10 | 11B | 120 BPM | ||
| Thrash Theory | Metal Synthetics | B Minor | 5 | 10A | 90 BPM | ||
| Carbon Cult | DEADLIFE | D Major | 9 | 10B | 128 BPM | ||
| Have You Ever Been To The Dunes? | Klayton | B♭ Minor | 2 | 3A | 133 BPM | ||
| Blades of Fury | Sebastian Komor | F Minor | 10 | 4A | 135 BPM | ||
| Warpath | Damned Anthem | F♯ Major | 9 | 2B | 77 BPM | ||
| DNA War | Absolute Valentine, Billy Mays Band | A♭ Major | 9 | 4B | 95 BPM | ||
| Catacombs | Tyler Bates, Joel J. Richard | D♭ Major | 9 | 3B | 145 BPM | ||
| Raging Revenant | Thorr | A Major | 9 | 11B | 170 BPM | ||
| Rage from Within | Epic Score | D Major | 8 | 10B | 184 BPM | ||
| Royal Leash | Processor | D♭ Major | 8 | 3B | 118 BPM | ||
| Takedown | Tom Player | A♭ Major | 4 | 4B | 145 BPM | ||
| Waste Management Confidential | Irving Force | F Major | 8 | 7B | 95 BPM | ||
| Exxidus | Music Junkies, Ars Arcana, NSFW | D Major | 7 | 10B | 78 BPM | ||
| Cronos | Malcolm Kirby Jr. | A Major | 8 | 11B | 150 BPM |