"Why Shouldn't I?" by Jeri Southern had its release date on June 11, 1959. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Why Shouldn't I?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeri Southern's "Jeri Southern Meets Cole Porter" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. Why Shouldn't I? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Why Shouldn't I? by Jeri Southern to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bill | Morgana King | G Major | 1 | 9B | 83 BPM | ||
| The Nearness Of You | Dick Haymes | F♯ Major | 3 | 2B | 64 BPM | ||
| All Dressed Up with a Broken Heart | Chris Connor | B♭ Major | 3 | 6B | 70 BPM | ||
| If You Ever Should Leave | Ella Fitzgerald and Her Savoy Eight | A Minor | 1 | 8A | 109 BPM | ||
| I'm In The Mood For Love | Erroll Garner | B♭ Minor | 3 | 3A | 68 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM | ||
| How Important Can It Be - Remastered | Joni James | D♭ Major | 3 | 3B | 87 BPM | ||
| My One And Only Love | Lorez Alexandria | F Minor | 0 | 4A | 93 BPM | ||
| So Rare | Carroll Gibbons, The Savoy Hotel Orpheans | C Major | 2 | 8B | 122 BPM | ||
| Experiment | Harry Arnold and His Swedish Radio Studio Orchestra | D Minor | 2 | 7A | 61 BPM | ||
| On the sunny side of the street | Tommy Dorsey Orchestra | E♭ Major | 1 | 5B | 114 BPM | ||
| Do It Again | Jane Russell | F Minor | 0 | 4A | 72 BPM | ||
| Wives And Lovers | Jack Jones | F Minor | 5 | 4A | 96 BPM | ||
| Beautiful Love | Anita O'Day | F Minor | 2 | 4A | 83 BPM | ||
| Isn't This A Lovely Day | Fred Astaire | C Major | 0 | 8B | 75 BPM | ||
| If You Could See Me Now | Morgana King | A♭ Major | 1 | 4B | 170 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| Talk About Cozy | Lorez Alexandria | F Major | 3 | 7B | 113 BPM | ||
| It Had to Be You | Ray Charles | E♭ Major | 2 | 5B | 83 BPM | ||
| I’m Getting Sentimental Over You | Tommy Dorsey Orchestra | D Major | 0 | 10B | 86 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| It Had To Be You | Betty Hutton, Robert Norberg | B♭ Minor | 1 | 3A | 97 BPM | ||
| Baby, Don't You Quit Now | Carol Sloane | G Minor | 0 | 6A | 185 BPM | ||
| I Can Dream, Can't I? - 1949 Single Version | The Andrews Sisters, Gordon Jenkins & His Orchestra | C Major | 2 | 8B | 87 BPM | ||
| Impossible | Sue Raney | E Major | 1 | 12B | 97 BPM |