On May 10, 2017, the song "Dhol Dhamkya Ne" was released by Lagna Geet Chorus. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Lagna Geet - Gujarati Wedding Songs" album is number 12 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Dhol Dhamkya Ne is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dhol Dhamkya Ne by Lagna Geet Chorus to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Odhaji Mara Whalane | Damyanti Bardai | D♭ Minor | 8 | 12A | 146 BPM | ||
| Aaj Mara Mandiriya Ma | Urvashi Pandya | E♭ Minor | 4 | 2A | 132 BPM | ||
| Bhavsambhav | Shree Swaminarayan Mandir Kalupur | D♭ Major | 4 | 3B | 90 BPM | ||
| Vhala Ne Makhan Bhave | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | F Minor | 4 | 4A | 135 BPM | ||
| He Ranglo | Karsan Sagathia | F Major | 7 | 7B | 110 BPM | ||
| Angan Utsav Bani Aavo Shrinathji | Hasmukh Patadiya | G Major | 7 | 9B | 108 BPM | ||
| Mehandi - Pilo Odh PomcHo Odhyo | Seema Mishra | D♭ Major | 6 | 3B | 90 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Chhoti Chhoti Gaiya | Ashit Desai, Hema Desai | C Minor | 6 | 5A | 102 BPM | ||
| Hu To Kagadiya Lakhi Lakhi | Diwaliben Bhil | G Major | 3 | 9B | 114 BPM | ||
| Dur Nagari Badi Dur | Master Rana | F Minor | 5 | 4A | 126 BPM | ||
| Chintamani Mari Chinta | Mahesh Maru | F Minor | 9 | 4A | 155 BPM | ||
| Achyutam Keshavam | Madhvi Madhukar | E♭ Major | 3 | 5B | 176 BPM | ||
| Bhiksha Dene Maiya | Lalita Ghodadra, Raghuveer Kunchala, Mathur Kanjariya, Suresh Raval, Dipak Joshi | A♭ Major | 6 | 4B | 74 BPM | ||
| Mathurama Vagi Morli | Vana Bharvad | C Minor | 6 | 5A | 84 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Mangal Mandir Kholo | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | A Major | 4 | 11B | 140 BPM | ||
| Yamunaji Ni Aarti | Nidhi Dholakiya | F Major | 5 | 7B | 185 BPM | ||
| Narnarayan Strotra | Shree Swaminarayan Mandir Kalupur | E♭ Major | 4 | 5B | 100 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Hala Vala Mare Hirani Dori | Kiran Prajapati | A♭ Minor | 9 | 1A | 135 BPM | ||
| NATAVAR NATKIYO | Nidhi Dholkia | E♭ Major | 6 | 5B | 82 BPM | ||
| Naagar Nandajinaa Laal | Traditional, Ashit Desai | F Major | 5 | 7B | 83 BPM | ||
| Aavelo Mankho Sudharo Guruji Mara Full Song | Birju Barot | E♭ Major | 2 | 5B | 80 BPM | ||
| Tu Mane Bhagwan Ek Vardan Aapi De | Nikita Waghela | F Minor | 1 | 4A | 95 BPM |