"Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 8" by Pierre Rode, Steven Staryk, Kenneth Gilbert, Adela Kotowska, Eloise Niwa had its release date on October 9, 1968. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 8's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 400 Years Of The Violin: An Anthology Of The Art Of Violin Playing, so we believe that "Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 8" is a single. In terms of popularity, Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 8 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 8 by Pierre Rode, Steven Staryk, Kenneth Gilbert, Adela Kotowska, Eloise Niwa is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 24 caprices en formes d'etudes: No. 5 in D Major | Pierre Rode, Axel Strauss | D Major | 1 | 10B | 93 BPM | ||
| Romance in C Major, Op. 48 | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 101 BPM | ||
| Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
| Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
| 2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | G Major | 2 | 9B | 107 BPM | ||
| Peteneras, Op. 35 | Pablo de Sarasate, Tianwa Yang, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 89 BPM | ||
| Sonata in G Minor: IV. Vivace | Henry Eccles, Takako Nishizaki, Terence Dennis | G Minor | 4 | 6A | 131 BPM | ||
| Viola Concerto in D Major, Op. 1: III. Rondeau | Carl Stamitz, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Major | 1 | 10B | 100 BPM | ||
| Seitz: Schüler-Konzert No. 2, Op. 13: III. Allegro moderato | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 1 | 9B | 133 BPM | ||
| Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Violin Sonata No. 4 in D Major, HWV 371, Op. 1: I. Adagio | Anthony Bracewell, Jun Cho | A Major | 0 | 11B | 78 BPM | ||
| Five pieces for Two Violins and Piano: III. Elegy- Andantino | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B♭ Minor | 0 | 3A | 103 BPM | ||
| Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 17 | Pierre Rode, Steven Staryk, Kenneth Gilbert, Adela Kotowska, Eloise Niwa | C Minor | 1 | 5A | 115 BPM | ||
| 24 Caprices for Solo Violin, Op. 22: No. 6 in B Minor. Adagio - Moderato | Pierre Rode, Roksana Kwaśnikowska | C Major | 1 | 8B | 123 BPM | ||
| Der Erlkönig | The Vienna Chamber Ensemble | C Major | 4 | 8B | 123 BPM | ||
| Rieding: Violin Concerto in B Minor, Op. 35: II. Andante | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 2 | 9B | 95 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Paganiniana | Nathan Milstein, Clara Jumi Kang | A Minor | 1 | 8A | 127 BPM | ||
| Cello Concertino No. 1 in C Major, Op. 7: I. Allegro | Julius Klengel, Mari Kato, Martin Rummel | C Major | 2 | 8B | 129 BPM | ||
| 24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Elizabeth Wallfisch | E Major | 1 | 12B | 128 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38 No. 1 (Arr. for 2 Cellos): III. Rondo. Allegretto | Bernhard Romberg, VC2 Cello Duo | E Minor | 1 | 9A | 104 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 20 in D Major | Niccolò Paganini, Augustin Hadelich | D Major | 1 | 10B | 108 BPM | ||
| Melancholic Romance, Op. 15 | Yaroslav Medvedev-Taraldset, Davian Monfette | G Minor | 5 | 6A | 100 BPM |