Bobby Lyle's 'Midnight' had a release date set for January 1, 1900. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bobby Lyle's "Joyful" album is number 12 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Midnight's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Midnight by Bobby Lyle to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cup of Joe | Marcus Anderson, Matt Marshak | B Minor | 7 | 10A | 104 BPM | ||
| The Weekend | Nicholas Cole | G Minor | 6 | 6A | 192 BPM | ||
| Grass Roots | Joyce Cooling | D Major | 5 | 10B | 115 BPM | ||
| Up from Here | James 'PJ' Spraggins, Eric Essix, Greg Manning | B Minor | 7 | 10A | 103 BPM | ||
| Horizon | Bobby Lyle | C Major | 7 | 8B | 101 BPM | ||
| Easy Day at Work | Pat Williams, Bobby Lyle | D♭ Major | 6 | 3B | 200 BPM | ||
| Workin' | Jazz Holdouts | F Major | 7 | 7B | 100 BPM | ||
| Special Lady | Alfonzo Blackwell | F♯ Major | 6 | 2B | 99 BPM | ||
| You Were There For Me | Nick Colionne | F Major | 4 | 7B | 75 BPM | ||
| The Last Child | Joe Sample | B Minor | 6 | 10A | 99 BPM | ||
| Gypsy Soul | Althea Rene | G Minor | 6 | 6A | 96 BPM | ||
| T.S.F. | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Downtime (feat. Mike Burton & Melvin Jones) | James 'PJ' Spraggins, Mike Burton, Melvin Jones | C Major | 7 | 8B | 97 BPM | ||
| Blue Touch | Gregg Karukas | F Major | 6 | 7B | 78 BPM | ||
| Poetry In Motion | Najee, Bobby Lyle | F Major | 7 | 7B | 110 BPM | ||
| Diggin' On | Phil Denny | B♭ Minor | 7 | 3A | 80 BPM | ||
| Now and Forever | Greg Manning | F Minor | 5 | 4A | 138 BPM | ||
| In Motion | Jonathan Fritzén | B♭ Minor | 6 | 3A | 98 BPM | ||
| All I Need | Jazz Holdouts | G Minor | 6 | 6A | 122 BPM | ||
| Heaven | Ronny Jordan | A♭ Major | 5 | 4B | 98 BPM | ||
| Lullaby | Phillip Doc Martin | F♯ Minor | 5 | 11A | 83 BPM | ||
| Monday Afternoon | Philippe Saisse | F Minor | 9 | 4A | 150 BPM | ||
| Boss Man | Nathan Mitchell, Nick Colionne | C Major | 5 | 8B | 80 BPM | ||
| Seven Years of Good Luck | Joe Sample | E Minor | 5 | 9A | 96 BPM | ||
| Waltz for Debbie | Bobby Lyle | C Major | 7 | 8B | 100 BPM |