"Processional Fanfare" by Elgar Howarth, The Philip Jones Brass Ensemble had its release date on June 25, 2008. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 12 in Fanfare by The Philip Jones Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Processional Fanfare is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Processional Fanfare by Elgar Howarth, The Philip Jones Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
| Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 3 | 10B | 76 BPM | ||
| Fanfare für Wiener Philharmoniker, Op. 109 | Richard Strauss, Locke Brass Consort, James Stobart | E♭ Major | 2 | 5B | 90 BPM | ||
| Tomasi: Trumpet Concerto: I. Allegro - Cadenza | Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos | F Major | 2 | 7B | 113 BPM | ||
| Crown Imperial: Coronation March (Arr. J. Kreines) | William Walton, Chicago Symphony Orchestra, brass section, Jay Friedman | B♭ Major | 3 | 6B | 156 BPM | ||
| Rodeo: No. 1, Buckaroo Holiday | Aaron Copland, Colorado Symphony, Andrew Litton | F Major | 2 | 7B | 131 BPM | ||
| A Comedy Overture (1934) | John Ireland, Grimethorpe Colliery Band, Elgar Howarth | F Major | 0 | 7B | 125 BPM | ||
| Marche funèbre d'une marionnette | Charles Gounod, Slovak Radio Symphony Orchestra, Peter Breiner | F Major | 2 | 7B | 109 BPM | ||
| Radetzky March, Op. 228: Radesky March | Johann Strauss I, Edmonton Symphony Orchestra, Uri Mayer | A Major | 3 | 11B | 114 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
| Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
| Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM | ||
| English Folk Song Suite: I. March "Seventeen Come Sunday" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
| Concerto No. 2 for Brass Band: Finale | Derek Bourgeois, Elgar Howarth, Grimethorpe Colliery Band, Wingates Teperance Band, Stanshawe Band, Yorkshire Imperial Metals Band | F♯ Major | 0 | 2B | 83 BPM | ||
| Le merle blanc, Op. 161 | Eugène Damaré, Ensemble Instrumental La Follia, Jean-Louis Beaumadier | D Major | 3 | 10B | 119 BPM | ||
| March of the Belgian Paratroopers | Pierre Leemans, Coastal Communities Concert Band, Don Caneva | F Major | 5 | 7B | 103 BPM | ||
| March off | The Massed Bands Of Her Majesty's Royal Marines | E♭ Major | 4 | 5B | 104 BPM | ||
| Country Gardens, BFMS 22 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | E♭ Major | 1 | 5B | 174 BPM | ||
| Le Grand Macabre: Akt II - Aschtarot! Wir haben Durst, ergo wir leben... | György Ligeti, Vienna Radio Symphony Orchestra, ORF Chor, Elgar Howarth | C Major | 2 | 8B | 138 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| Little Suite No. 1 for Brass Band, Op. 80: 2. Siciliano (Andantino) | Malcolm Arnold, Grimethorpe Colliery Band, Elgar Howarth | D Minor | 0 | 7A | 80 BPM | ||
| Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM |