Devendra Pathak's ' "18 Bash Tera Maine Wait Kiya Re" was released on its scheduled release date, July 5, 2014. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 8 in Bole India Happy Holi by Devendra Pathak. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, 18 Bash Tera Maine Wait Kiya Re is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 18 Bash Tera Maine Wait Kiya Re by Devendra Pathak is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Om Gan Ganpataye Namo Namah | Devendra Pathak | A♭ Major | 7 | 4B | 136 BPM | ||
| Mhare Sir Par Hai Baba Ji Ro Hath | Sanju Sharma | C Major | 8 | 8B | 120 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Hum Katha Sunte Ram | Arun | C Major | 7 | 8B | 104 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Lagan Tumse Laga Baithe | Shekhar Jaiswal | C Major | 8 | 8B | 105 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Pinjare Ke Panchhi | Hari Bharwad | D♭ Major | 7 | 3B | 107 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Duniya Se Main Haara | Chetna | C Major | 10 | 8B | 115 BPM | ||
| Suye Suye Cholaya Valiye Bholi Maa | Harvansh Lal Bansi | A♭ Major | 8 | 4B | 97 BPM | ||
| Shyam More Nainan Aage | Sadhvi Purnima | A♭ Minor | 5 | 1A | 96 BPM | ||
| More Mann Chal Vrindavan Dham | Rajendra Vyas | D Major | 7 | 10B | 101 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Oh Bheru Ji Thore Bhakt Banu Mein | Vaibhav Bagmar Balotra | E Major | 7 | 12B | 80 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Agar Nath Dekhoge Avgun Humare | Devendra Pathak | B Minor | 6 | 10A | 144 BPM | ||
| Main Balak Tu Mata Sheranwaliye | Babla Mehta | B♭ Major | 5 | 6B | 174 BPM | ||
| Aalha ki dhwaja nahi aai ho maa | Shahnaz Akhtar | D♭ Major | 6 | 3B | 108 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Aaj Biraj Mein Holi Re Rasiya | Kanhaiya Mittal | D♭ Major | 10 | 3B | 170 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Dhara To Beh Rahi | Mridul Krishan Shastri | B Major | 9 | 1B | 129 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM |