On January 28, 2023, the song "Dhara To Beh Rahi" was released by Mridul Krishan Shastri. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Dhara To Beh Rahi Hai Shree Radha Naam Ki by Mridul Krishan Shastri. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Dhara To Beh Rahi's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Dhara To Beh Rahi by Mridul Krishan Shastri is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ayodhya Ram Aaye Hain | Devendra Pathak | D♭ Major | 9 | 3B | 140 BPM | ||
| Vo dekho chor hari | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Mere Ghar Ke Aage Sainath | Paras Jain | D Major | 5 | 10B | 82 BPM | ||
| Maiya Ri Maiya Ek Khilona Chota Sa Dilwade | Kanhiya Mittal | A♭ Minor | 7 | 1A | 83 BPM | ||
| Nahin Chahiye Dil Dukhana Kisika | Parmod Kumar | B Major | 7 | 1B | 84 BPM | ||
| Dhara To Beh Rahi | Mridul Krishan Shastri | B Major | 9 | 1B | 129 BPM | ||
| Mere Giniyo Na Apradh Ladli Shri Radhe | Roshni Pandey | B♭ Major | 9 | 6B | 106 BPM | ||
| Mann Moh Liya Kundalaan Waale Ne | Bhaiya Krishan Das Ji | F♯ Major | 8 | 2B | 74 BPM | ||
| Ran Me Garaj Rahi Re Kalka | Shahnaz Akhtar | C Major | 6 | 8B | 120 BPM | ||
| Maakhan Kha Gayo Makhan Chor | Mridul Krishan Shastri | A Major | 7 | 11B | 186 BPM | ||
| Mera Aapki Kripa Se Sab Kaam Ho Raha Hai | Paras Jain | F♯ Major | 7 | 2B | 80 BPM | ||
| Ram Naam Ke Heere Moti | Puran Shiva | A♭ Major | 6 | 4B | 94 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM | ||
| Kai Karsi Re Mharo Kai Karsi | Radha Krishna Maharaj | F Minor | 7 | 4A | 155 BPM | ||
| Ab Teri Doli Nikaali | Prem Bhushan Maharaj | D Major | 5 | 10B | 132 BPM | ||
| Hare Ka Sahara Aa Gaya | Ram Kumar Lakkha | F♯ Minor | 7 | 11A | 126 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Naache - Naache Re Anjani Maa Ko Laal | Pt. Ram Avtar Sharma | F Minor | 9 | 4A | 98 BPM | ||
| Ab Sop Diya Is Jeevan Ka Sab Bhar Tumhare Hathon Mein | Padma Jha | D♭ Major | 5 | 3B | 95 BPM | ||
| Mansa Devi Mansa Poori | Babla Mehta | A♭ Major | 7 | 4B | 105 BPM | ||
| O Muraliwale Aaja Teri Yaad Sataye | Mahesh Hiremath, Shubhangi Joshi | E♭ Major | 6 | 5B | 151 BPM | ||
| As Kahi Kapi Gadgad Bhayahu | Pankaj Mishra | F♯ Minor | 7 | 11A | 89 BPM | ||
| Ujjain Ke Raja Bhole Bhandari | Unix Bhakti, Nitin Bagwan | B♭ Major | 4 | 6B | 85 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Kadi Manakpur Me Baithi Maa Sheetla Bhawani | Devendra Pathak | F Minor | 8 | 4A | 80 BPM |