Thomas Newman's 'Everywhere Freesia' had a release date set for January 1, 1998. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Meet Joe Black" album is number 2 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Everywhere Freesia's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Everywhere Freesia by Thomas Newman to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hall's Plan | Harald Kloser | E♭ Major | 1 | 5B | 95 BPM | ||
| Last of the Dogmen | Last Of The Dogmen | C Major | 2 | 8B | 82 BPM | ||
| Home To A Welcome Village | Randy Edelman | E Major | 2 | 12B | 176 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| Lonely Roscuro | William Ross | A Minor | 0 | 8A | 68 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| Main Title Theme (From "The English Patient") | Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 72 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Separations | Roque Baños | F Minor | 0 | 4A | 67 BPM | ||
| Last Letter | Gabriel Yared | G Minor | 2 | 6A | 79 BPM | ||
| Funeral / Rebuilding Serenity | David Newman | C Major | 1 | 8B | 63 BPM | ||
| We Will Never Know | Mario Malagnini | E Minor | 1 | 9A | 71 BPM | ||
| Washington Square | Mark Mancina | C Major | 2 | 8B | 110 BPM | ||
| Dona Ana | London Metropolitan Orchestra | B♭ Major | 1 | 6B | 89 BPM | ||
| An American Quilt | Thomas Newman | A Major | 1 | 11B | 118 BPM | ||
| Twilight and Shadow (feat. Renee Fleming) | Howard Shore, Renée Fleming | E Minor | 1 | 9A | 74 BPM | ||
| Never Again | Guy Farley | F Major | 1 | 7B | 146 BPM | ||
| On The Porch | John Frizzell | C Major | 0 | 8B | 78 BPM | ||
| Nell | Mark Isham | G Major | 1 | 9B | 62 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| The Grand Bakery | Guy Farley | A Minor | 3 | 8A | 172 BPM | ||
| Peanut Butter Man | Thomas Newman | D Minor | 0 | 7A | 178 BPM | ||
| Tear It Down | Mark Isham | C Major | 0 | 8B | 113 BPM |