A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce's 'Chapter 7 - Later Life' had a release date set for March 1, 1995. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in A.R.Gurney's "Later Life" album is number 7 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Chapter 7 - Later Life's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Chapter 7 - Later Life by A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chapter 1 - The Doctor's Dilemma | George Bernard Shaw, Jane Carr, Gregory Cooke, Kenneth Danziger, Roy Dotrice, martin jarvis, Jennifer Dundas, Simon Templeman, Douglas Weston, Paxton Whitehead | C Major | 1 | 8B | 50 BPM | ||
| Glucksey's Birthday Song | Sean William, Gordon C. Gauthier, Scott Hull | B♭ Minor | 2 | 3A | 80 BPM | ||
| Anecdote of the Jar | Wallace Stevens | A Major | 3 | 11B | 84 BPM | ||
| Chapter 38 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | B Minor | 1 | 10A | 181 BPM | ||
| Adams: Nixon in China: Act I, Scene 3 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 168 BPM | ||
| The Realm of Riddles - Part 14 | The Three ??? | D♭ Major | 4 | 3B | 90 BPM | ||
| Robin Hood, Pt. 37 | Fairy Tales for Kids, Kids, Fairy Tales | D Major | 1 | 10B | 116 BPM | ||
| Lesson 9b | Kieran Ball | B♭ Minor | 0 | 3A | 89 BPM | ||
| A Bone And A Bean | Priscilla Howe | A Minor | 1 | 8A | 112 BPM | ||
| 6. And I have journey'd for a month | Arthur Sullivan, Colin Wright, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 1 | 5B | 126 BPM | ||
| Esophageal Voice an Octave Lower | Harm A. Drost | F Major | 4 | 7B | 117 BPM | ||
| Track 18 - Sword of Orion, Part 1 | Doctor Who, Nicholas Briggs, Paul McGann, India Fisher | F Minor | 4 | 4A | 85 BPM | ||
| Sullivan: The Pirates of Penzance, Act 1: Recitative. "What Shall I Do?" - Chorus of Girls. "Climbing Over Rocky Mountain" (Frederic, Edith, Kate, Chorus) | Arthur Sullivan, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Heather Harper, Marjorie Thomas, Richard Lewis, Pro Arte Orchestra | C Major | 2 | 8B | 93 BPM | ||
| Acte I - Tableau I : "Où est Blanche" | Francis Poulenc, Jean-Pierre Marty | D Major | 2 | 10B | 84 BPM | ||
| Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Semele, HWV 58 / Act 3: Leave Me, Loathsome Light | George Frideric Handel, Samuel Ramey, English Chamber Orchestra, John Nelson | A♭ Major | 1 | 4B | 91 BPM | ||
| The First Child: When you find the right person | Donnacha Dennehy, Irish National Opera, Crash Ensemble, Ryan McAdams, Niamh O'Sullivan | C Major | 2 | 8B | 93 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Ode On a Grecian Urn | Richard Mitchley | A Major | 2 | 11B | 59 BPM | ||
| The Flood Abates | Bible Dreaming | D♭ Major | 7 | 3B | 120 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| My Fair Lady: I Could Have Danced All Night (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Frederick Loewe, Lise Davidsen, James Baillieu | C Major | 2 | 8B | 93 BPM | ||
| Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 2 | 8B | 130 BPM | ||
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | ||
| Beyond the Last Lamp | Richard Burton | F♯ Major | 2 | 2B | 123 BPM |