"The Calling - Main Title - Martin" by Donald Rubinstein had its release date on November 7, 2007. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 1 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Calling - Main Title - Martin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Calling - Main Title - Martin by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ash's Dream / Dancing Game / Dance of the Dead | Joseph Loduca | E♭ Minor | 3 | 2A | 119 BPM | ||
| Father's Day | John Harrison | C Major | 2 | 8B | 128 BPM | ||
| Hellraiser | Christopher Young | A♭ Major | 1 | 4B | 89 BPM | ||
| Madame Arcati | Jacques Lasry | G Minor | 1 | 6A | 102 BPM | ||
| Sorcerer | Ataraxia | B♭ Minor | 2 | 3A | 68 BPM | ||
| Foster The Children | Mark Korven | A♭ Major | 0 | 4B | 180 BPM | ||
| The Rat Slice Quartet | Christopher Young | G Major | 1 | 9B | 172 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Cannibal Ferox | Roberto Donati | A♭ Major | 4 | 4B | 122 BPM | ||
| Boiler Room | Charles Bernstein | D Major | 1 | 10B | 82 BPM | ||
| Confrontation | Charles Bernstein | C Major | 2 | 8B | 92 BPM | ||
| On This Night | Jerry Goldsmith | E Major | 1 | 12B | 169 BPM | ||
| Das schoß des irrtums | Popol Vuh | B Major | 5 | 1B | 100 BPM | ||
| High and Low | Masaru Sato | C Major | 1 | 8B | 169 BPM | ||
| Promociones | Almas Paralelas | E♭ Major | 3 | 5B | 109 BPM | ||
| Peter | Colin Stetson | E Minor | 3 | 9A | 87 BPM | ||
| Excorcism/Classical Funk | Donald Rubinstein | G Major | 0 | 9B | 130 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM | ||
| Philosophy for Living | Lip Stick | C Major | 5 | 8B | 78 BPM | ||
| Seduction and Pursuit | Christopher Young | A♭ Minor | 4 | 1A | 79 BPM | ||
| "10 Haunted Hotels" | Gabriel Yared | G Major | 6 | 9B | 91 BPM | ||
| Oude Loods | Ede Rezvanov, Onlyfire | E Minor | 1 | 9A | 80 BPM | ||
| Salem's Lot (Main Title #2) | Harry Sukman | D Minor | 2 | 7A | 90 BPM | ||
| Peace Will Ever Come | Donald Rubinstein | F♯ Minor | 7 | 11A | 137 BPM | ||
| Two Concurrent States (Plainsong, Pt. 2) | Ben Salisbury | G Minor | 1 | 6A | 66 BPM |