"歌曲集「画家の仕事」 VII. ジャック・ヴィヨン" by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) had its release date on March 31, 1999. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 歌曲集「画家の仕事」 VII. ジャック・ヴィヨン's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in プーランク歌曲集全101曲, so we believe that "歌曲集「画家の仕事」 VII. ジャック・ヴィヨン" is a single. Based on our statistics, 歌曲集「画家の仕事」 VII. ジャック・ヴィヨン's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 歌曲集「画家の仕事」 VII. ジャック・ヴィヨン by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horn Concerto in D: 2. Andante poco larghetto | František Xaver Pokorný, Hermann Baumann, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 109 BPM | ||
| Oboe Sonata, FP 185: I. Élégie. Paisiblement | Francis Poulenc, Olivier Doise, Alexandre Tharaud | B♭ Minor | 0 | 3A | 66 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: III. Allegro con fuoco | Francis Poulenc, Sabine Meyer, Oleg Maisenberg | D♭ Major | 1 | 3B | 161 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Symphony No.4 in D minor, Op.120 (1841): II. Romanza: Andante | Robert Schumann, Bucharest Symphony Orchestra, John Axelrod | A Minor | 0 | 8A | 112 BPM | ||
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | A♭ Major | 0 | 4B | 133 BPM | ||
| Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto | Franz Schubert, Maxim Emelyanychev, Scottish Chamber Orchestra | G Minor | 1 | 6A | 128 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo. Allegro | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | F Major | 1 | 7B | 129 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Oboe Concerto in C Major - Arr. Benjamin: 3. Siciliana | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | A Minor | 0 | 8A | 169 BPM | ||
| Grand Duo Concertant for Bassoon and Piano in B-flat Major, Op. 34: II. Andante doloroso - Un poco più mosso | Ignaz Moscheles, Lilit Grigoryan, David Petersen | A♭ Major | 0 | 4B | 133 BPM | ||
| Sonata For Flute & Piano In C Major: Allegro cantabile | Otar Taktakishvili, Eva Kupiec, Marina Piccinini | C Major | 1 | 8B | 102 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A♭ Major | 0 | 4B | 133 BPM | ||
| Oboe Sonata in D Major, Op. 166: II. Ad libitum - Allegretto - Ad libitum | Camille Saint-Saëns, Albrecht Mayer, Karina Wisniewska | E Major | 0 | 12B | 58 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | A♭ Major | 0 | 4B | 133 BPM | ||
| Sonate Op. 64: IV. Finale (Moderato) | Mel Bonis, Juliette Hurel, Hélène Couvert | A Major | 1 | 11B | 71 BPM | ||
| Serenade After Plato's "Symposium": II. Aristophanes. Allegretto | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | A♭ Major | 0 | 4B | 133 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | A♭ Major | 0 | 4B | 133 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM |