Paramore's 'Decoy - Live at the Congress Theatre, Chicago, IL, 8/12/2008' had a release date set for November 24, 2008. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The Final Riot!". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Decoy - Live at the Congress Theatre, Chicago, IL, 8/12/2008's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Decoy - Live at the Congress Theatre, Chicago, IL, 8/12/2008 by Paramore having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Buried Myself Alive | The Used | G Major | 9 | 9B | 171 BPM | ||
| Decoy - Live at the Congress Theatre, Chicago, IL, 8/12/2008 | Paramore | G Minor | 9 | 6A | 129 BPM | ||
| We're Gonna Have Us A Champagne Jam | Chiodos | G Minor | 9 | 6A | 102 BPM | ||
| My Beloved, My Despair | Bury Me With You | A♭ Minor | 4 | 1A | 123 BPM | ||
| Cat And Mouse | The Red Jumpsuit Apparatus | C Major | 7 | 8B | 143 BPM | ||
| Manners | We Are The In Crowd | E Major | 9 | 12B | 158 BPM | ||
| Stab My Back | The All-American Rejects | E Minor | 9 | 9A | 136 BPM | ||
| From Heart And Soul To Pen And Paper | A Heartwell Ending | D♭ Major | 10 | 3B | 100 BPM | ||
| A Boy Brushed Red Living In Black And White | Underoath | D♭ Minor | 9 | 12A | 170 BPM | ||
| Luka | VIOLENT VIRA | B Minor | 9 | 10A | 154 BPM | ||
| Friends Or Lovers | Rusty Williams, Hayley Williams | C Major | 4 | 8B | 132 BPM | ||
| Pretty Handsome Awkward | The Used | C Major | 10 | 8B | 105 BPM | ||
| Cosmic Narcissism | Hail The Sun | A Minor | 9 | 8A | 114 BPM | ||
| Feeling Sorry | Paramore | D♭ Minor | 9 | 12A | 196 BPM | ||
| If You Wanted A Song Written About You, All You Had To Do Was Ask | Mayday Parade | D Major | 7 | 10B | 100 BPM | ||
| Burning House | Julia Wolf | B♭ Minor | 9 | 3A | 160 BPM | ||
| Always Getting What You Want | Circa Survive | B♭ Minor | 9 | 3A | 148 BPM | ||
| In Fate's Hands | The Red Jumpsuit Apparatus | C Minor | 10 | 5A | 199 BPM | ||
| Love On The Catwalk | Her Words Kill | G Minor | 6 | 6A | 134 BPM | ||
| Nothing Further from the Truth | Picture Me Broken | F Major | 10 | 7B | 163 BPM | ||
| Be Alone | Paramore | D Major | 10 | 10B | 160 BPM | ||
| Kill You Off | Julia Wolf | B Minor | 7 | 10A | 140 BPM | ||
| Brag (Bonus) | Dank Charnley, Paramore | D Minor | 7 | 7A | 128 BPM | ||
| This Is Who We Are | Hawthorne Heights | E Minor | 9 | 9A | 113 BPM | ||
| My Blue Heaven | Taking Back Sunday | D♭ Major | 9 | 3B | 137 BPM |