Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: I. Largo by Georg Philipp Telemann, Boris Begelman Song Details

"Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: I. Largo" by Georg Philipp Telemann, Boris Begelman had its release date on August 21, 2015. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Telemann: Violin Sonatas". In this album, this song's track order is #1. Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: I. Largo by Georg Philipp Telemann, Boris Begelman having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -17.449 dB
Acousticness: 82%
Danceability: 20%
Energy: 15%
Instrumentalness: 0%
Liveness: 19%
Loudness: 71%
Speechiness: 4%
Valence: 17%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Part I. Overture in E minor: V. Passepied	Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz	E♭ Major	1	5B	105 BPM
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo	Johann Gottlieb Janitsch, Il Gardellino	F♯ Minor	2	11A	171 BPM
Sonata in G Minor, Op. 2, No. 3: I. Adagio	Benedetto Marcello, Collegium Pro Musica	F♯ Minor	1	11A	80 BPM
Trio Sonata in C Major, BuxWV 256: II. Allegro	Dietrich Buxtehude, Ensemble Mélero	B Major	2	1B	75 BPM
Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto	Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon	D♭ Minor	3	12A	115 BPM
Concerto in G for 2 Viols, Strings and Basso continuo, TWV 52:G3: IV. Vif	Georg Philipp Telemann, Reinhard Goebel, Florian Deuter, Musica Antiqua Köln	F♯ Major	2	2B	127 BPM
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo	Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi	A♭ Major	1	4B	81 BPM
Sonata II In G Minor: II. Allegro (Muffat)	Georg Muffat, Masques	F♯ Minor	1	11A	136 BPM
Part I. Overture in E minor: VII. Gigue	Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz	F♯ Major	1	2B	91 BPM
Les Boréades, RCT 31: Entrée de Polymnie (Arr. for Baroque Ensemble & Saxophone by Bo Wiget)	Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner	F Major	1	7B	101 BPM
Phaëton, LWV 61 (Excerpts): Ritournelle "Le printemps"	Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon	B Minor	2	10A	96 BPM
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova	D♭ Major	2	3B	146 BPM
Concerto for Strings in G Minor, RV 157: II. Largo	Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra	F♯ Minor	1	11A	56 BPM
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai	William Boyce, Aradia Ensemble, Kevin Mallon	D♭ Major	2	3B	126 BPM
Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee	Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward	C Major	1	8B	168 BPM
Les Goûts-réünis - Concert No.14 in D minor: 2. Allemande	François Couperin, Les Talens Lyriques, Christophe Rousset	C Minor	2	5A	102 BPM
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro	Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana	D Major	3	10B	130 BPM
Leclair: Violin Concerto in C Major, Op. 7 No. 3: II. Adagio	Jean-Marie Leclair, Jaap Schröder, Concerto Amsterdam	E Major	2	12B	104 BPM
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante	Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman	B Minor	1	10A	105 BPM
Sinfonia in A Major: II. Andante	Giuseppe Sammartini, Capella Istropolitana, Jaroslav Krcek	F Major	2	7B	136 BPM
Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito	Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür	A Major	1	11B	141 BPM
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio	Johann Gottlieb Janitsch, Il Gardellino	E Major	1	12B	60 BPM
Aria IV: Allegro	Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider	F♯ Minor	4	11A	132 BPM
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	3	8B	114 BPM
Concerto grosso No. 4 in D Major, Op. 6: II. Adagio	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco	B♭ Minor	1	3A	60 BPM