Anon.: Sicut myrrha electa (First Version) by George Frideric Handel, Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott Song Details

"Anon.: Sicut myrrha electa (First Version)" by George Frideric Handel, Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott had its release date on January 1, 1989. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Andrew Parrott's "Handel - Carmelite Vespers" album is number 12 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Anon.: Sicut myrrha electa (First Version) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Anon.: Sicut myrrha electa (First Version) by George Frideric Handel, Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -26.855 dB
Acousticness: 81%
Danceability: 19%
Energy: 4%
Instrumentalness: 0%
Liveness: 15%
Loudness: 55%
Speechiness: 5%
Valence: 4%

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