London Philharmonic Orchestra's ' "Sleeping Beauty Waltz" was released on its scheduled release date, September 28, 2018. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 13 in Ballet Favourites by London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of Sleeping Beauty Waltz is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sleeping Beauty Waltz by London Philharmonic Orchestra is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Fourth Movement Moderato Maestoso | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Butterfly Lovers Violin Concerto: II. Allegro | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez | A Major | 2 | 11B | 148 BPM | ||
| The Danube Waves: Donauwellen, Walzer | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | C Major | 2 | 8B | 95 BPM | ||
| Dance of the goblins | Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
| Die lustige Witwe (the Merry Widow): The Merry Widow Waltz [arr. R. Hayman] | Franz Lehár, Richard Hayman Symphony Orchestra, Richard Hayman | D Major | 1 | 10B | 126 BPM | ||
| The Wand of Youth Suite No. 1, Op. 1a: Overture | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | G Major | 1 | 9B | 57 BPM | ||
| Folk Tune and Fiddle Dance: Folksong | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 85 BPM | ||
| Pinocchio: XI. La Fata dai Capelli Turchini | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | D Minor | 2 | 7A | 85 BPM | ||
| Paquita: Variation 4: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| FOR YOU - 『水の旅人-侍 Kids』より | Joe Hisaishi, London Philharmonic Orchestra | D Major | 2 | 10B | 81 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Coppelia: Act III - Galop final | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 143 BPM | ||
| Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
| Don Quixote: Act II: Gypsy Dance II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D♭ Major | 2 | 3B | 78 BPM | ||
| Symphony No. 5 in C Minor, Op. 67, "Fate": Allegro con brio | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | D Major | 1 | 10B | 84 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italienische": I. Allegro vivace | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | E Major | 3 | 12B | 168 BPM | ||
| Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM | ||
| Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | D Major | 1 | 10B | 84 BPM | ||
| La petite Valse | Joe Heyne, André Rieu, Johann Strauss Orchestra | D Major | 2 | 10B | 129 BPM | ||
| Orion and the Scorpion | Soon Hee Newbold, Johns Creek High School Philharmonia Orchestra, Young K. Kim | D Minor | 4 | 7A | 143 BPM | ||
| Don Quixote, Act II: Spanish dance of Mercedes | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Infinite Cloister of Flowers and Sins | Yu-Peng Chen, London Philharmonic Orchestra, Robert Ziegler | F♯ Minor | 2 | 11A | 121 BPM | ||
| Molly on the Shore | Percy Grainger, TMEA All-State String Orchestra, James Kjelland | G Major | 3 | 9B | 87 BPM |