"Don Quixote: Act II: Gypsy Dance II" by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov had its release date on February 24, 2004. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 7 out of 59. On top of that, Hong Kong appears to be the country where this track was created. Don Quixote: Act II: Gypsy Dance II is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote: Act II: Gypsy Dance II by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swan Lake, Op. 20a, Act III: Allegro moderato: Women's Variation | Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov | D Minor | 3 | 7A | 128 BPM | ||
| La bayadère: Coda. Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Giselle, Peasant pas de deux, Act I: Coda (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
| Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | G Major | 1 | 9B | 145 BPM | ||
| Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| La bayadère: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 98 BPM | ||
| "Cinderella Waltz" | Rodgers + Hammerstein's Cinderella Original Broadway Ensemble | C Major | 3 | 8B | 176 BPM | ||
| Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
| Grande valse - From 'La lépreuse' | Wojciech Kilar | B Minor | 1 | 10A | 121 BPM | ||
| Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
| Waltz from Faust | London Symphony Orchestra | E Major | 1 | 12B | 70 BPM | ||
| Etudes: VIII. Relevés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Major | 0 | 7B | 76 BPM | ||
| Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
| Harmonie-Polka, Op. 106 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | F Major | 3 | 7B | 96 BPM | ||
| La Bayadère / Act 1: No. 6 Moderato assai | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | C Minor | 1 | 5A | 72 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 2 | 4B | 128 BPM | ||
| Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toréador (Act II) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 2 | 7B | 116 BPM | ||
| Chrétien Polka | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 161 BPM | ||
| El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
| Polovetsian Dances from Prince Igor: Allegro | Alexander Borodin, George Szell, The Cleveland Orchestra | D Major | 2 | 10B | 108 BPM |